photography, travel

20 Below // Yellowstone

Life is all about adaptation. If you can’t stay flexible, especially when on the road, you’ll end up frustrated and angry. Plans are going to change. Your best efforts will be thwarted frequently. I promise.

This year’s winter Wyoming road trip wasn’t my first rodeo… But perhaps my first trying to camp in the beautiful, frozen hell that is the Yellowstone Caldera. It is common to reach dangerous temps of -60F here. Maybe we got lucky, it only reached -20 for us.

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Most people think I’m crazy… some of the things I do, get myself into. No, I’m actually relatively sane. I see a great human potential to do things that seem impossible or “nuts” to many, and I want to prove that they are quite normal. And maybe even fun.

Yellowstone is one of those places that immediately captured my heart. Love at first sight… smell, touch, feel. It is magical. But of all the seasons I have experienced in this place, winter was the untouchable. Most of the park is only accessible by snow mobile, snow coach, or cross country skis. It requires a lot of preparation and investment to make an overnight camping excursion into Yellowstone in the dead of winter. It demands to be taken seriously. Especially in winter.

I was looking for an opportunity to test myself in a new way.

Sounds dumb, I know. But I’ve always been this way.

When I was little, I wanted to be a stunt man. Often, I would jump off the roof of our house to practice my falls, or bungee a bunch of pillows around my body and throw myself down the stairs. I’ve always enjoyed catching snakes with my bare hands, only to identify them as poisonous or non, afterward.

It’s not that I don’t feel fear. Trust me, I do. Every time I sleep out in grizzly country, I lay awake most of the first night seeing terrible visions of ferocious bear(s) attacking me ruthlessly. Every snap of a twig makes my heart race. But all I have to do to finally get some shut eye is remind myself of the many hundreds of nights I’ve spent under the stars, and how I’ve never had a terrifying experience… with bears, at least. That’s not to say it couldn’t happen, that’s just to point to the reality that it’s more likely that I get struck by lightning. An event about which I literally never worry.

The fact remains, my life is not my own. It is controlled and ordained by a much higher reality than my fears or eccentricities.

It’s really about testing my limits. It’s less about man vs. nature, and more man vs. himself. Testing one’s mental and physical resolve.

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So back to the point: I can scheme for months, but I’d better be ready to surrender each and every meticulous plan.

This whole trip was brought on by my random stumbling on a new program offered by Yellowstone. A few months earlier, while surfing recreation.gov I came across the brand new self-guided snow machine permit. I’d always wanted to see Yellowstone in the winter, but it never appealed to me to go on a guided tour. So this sounded perfect.

I lucked out and got a permit for the timing and area I wanted. Not easy to do since almost every permit was already taken. And it started a whole chain of events that led us to this point. I began planning everything; the road trip, the activities, shot lists, I started lining up sponsors, gear, etc. It was on. We were going no matter what, in my mind. It seemed to be providence.

When we arrived in Wyoming, after a night at Devils Tower, the plan was to head all the way up and over to Cooke City, Montana. Cooke City lies just across the Montana/ Wyoming state line along the Beartooth Highway, just a few miles from the Northeast entrance to Yellowstone. It was going to be a long drive, but for me the payoff was well worth it. It was still a week until our scheduled permit date to enter the park from the South on snow machine. This would serve as our introduction to winter camping Yellowstone.

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I know that the road from Mammoth Hot Springs to Cooke City is open all year. It’s the only road they plow in the park. However, for some reason, the short drive from Sunlight Basin to Cooke City via the Beartooth Highway is not plowed. I had to learn that the hard way. We ended up adding 4 hours to our drive for that mistake. And it was already getting dark.

After a long detour up to I-90 through Montana, and an overnighter at a cheap motel, we finally arrived at the North entrance to Yellowstone at Gardiner, MT.

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Entering Yellowstone is like being dropped on to another planet. At first, it seems familiar; rocks, trees, mountains, rivers. But then you start to see colors and formations rarely seen anywhere else on earth. Steam rising from mountain streams. The smell of sulphur. Vast herds of bison, elk, pronghorn. It’s so unique. And in the winter, when the snow blankets everything and people are harder to spot than the wildlife, Yellowstone possesses even a more haunting spirit.

So there we were, on the doorstep of testing a new resolve in ourselves, a new level of resiliency. Could we take it? Would a wintry Yellowstone break us?

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We spent the night near Mammoth Hot Springs on top of several feet of snow. It was too cold to hang out long enough to make a fire that night, and we were tired from the days of driving, so we opted to burrow into the cozy tent and our sleeping bags early.

The wind, coyotes, and wolves howled through the night.

The temp when we woke was a solid -20 with the wind, so even the most enjoyable of morning tasks like making coffee became painful. We weren’t deep in the backcountry. In fact, we knew that there might even be fresh coffee to be bought nearby at Mammoth. At the very least, we thought, getting out of the wind and into a quickly warming car would be worth it. I would later come to realize that this moment would serve as the beginning of the end of the test of our resiliency. At least in the way I had imagined.

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Our time in North Yellowstone was short. We had friends to meet up with and clients to shoot for down in Jackson and Pinedale, so we left the park, expecting to return from the South in a week.

Over the next week, we spent a few more nights outdoors, but the cold and the snow was wearing us thin. It became harder and harder to sleep at night and warm up in the morning. On top of this erosion of the physical, several friends we had lined up to go with us on the Yellowstone excursion had to cancel.

The epic adventure was in danger of not happening at all. I was undeterred.

Something that once seemed so providential, so “meant to be,”started to feel cursed. Then I received an email from the snow mobile rental company that I was angling to trade marketing photos for free machines, stating that they would not be able to do the deal any more.

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We’d been on the road for two weeks already and were out of money. It was the last straw. The Yellowstone dream would have to wait. This fact, regardless of how obvious, would take a long time for me to accept.

How do we deal with our disappointments and failed plans? What I wasn’t realizing was that my test of resolve on this trip had now taken a new form. It was no longer the sexy physical test of manhood I wanted. It had become all of our worst nightmares… not getting what we want.

For someone who plans as much as I do, I can become fixated, even obsessed, with objective. The trip was such a beautiful success in so many ways, but from my myopic attitude, it looked like a failure because of the one unrealized objective.

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I learned from this trip that man vs. himself is more than just climbing mountains or wrestling alligators. Man’s true resiliency is shown clearly in his/ her ability to roll with the punches. To watch their carefully made plans go down in flames and still make something of it.

It remains one of the hardest things that I (and all of us will) consistently face in life.

— andrew


In honor of the NPS Centennial this year, I have put together a special collection of (some never before seen) my favorite National Park prints. Please check it out and know that 5% of all the profits from the sale of this artwork will be donated to a wonderful organization that works hard to help preserve our Nation’s most magical places, The National Park Foundation.. We will be visiting almost all of the 59 National Parks this year, so check back often as we will be updating the page regularly. Thank you so much for your support!


 
Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
Big Bend NP // Night/ Landscape // 2016 – ONLY 2 SPOTS LEFT!
Isle of Skye // S C O T L A N D // 2016 – 4 SPOTS AVAILABLE
Highlands // S C O T L A N D // 2016 – 4 SPOTS AVAILABLE
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2016
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photography, random thought, travel

The Ocean Song

The sea is emotion incarnate. It loves, hates, and weeps. It defies all attempts to capture it with words and rejects all shackles. No matter what you say about it, there is always that which you can’t.”
― Christopher Paolini

Ellen is an ocean girl.  And clearly I’m a mountain guy.

So I planned a trip recently that I hoped would offer the best of both worlds… the Pacific Northwest Coast.

It really didn’t disappoint.

But I was surprised at how deeply I too fell for the ocean song.

Pacific surf along Del Norte Coast

Dusk falls on the Pacific at Wilson Creek Beach

There’s more to the music of the sea than just the crash of the waves.

A silhouette of a photographer as dusk falls on the Pacific at Wilson Creek Beach

Or the melodic ebb and flow of the tide.

Dusk falls on the Pacific surf at Wilson Creek Beach

There’s the distant surf rolling and rumbling faintly.  Steadily.

Sea birds and pastels accompany the rocks in the Pacific surf along Del Norte Coast

The chatter of the seabirds.

starfish in the tidal pools near Arch Rock

plant life and wildlife in the tidal pools near Arch Rock

The gentle sway of the tiny creatures.

Arch Rock at dusk

There is a sound to the light.  It carries all of these other notes of the sea to create one grand song.

The sun sets on the Pacific and a tent campsite with beautiful displays of color

The sun sets on the Pacific and a tent campsite with beautiful displays of color

The sun sets on the Pacific with beautiful displays of color

Dusk falls on Bandon Beach

Dusk falls on Bandon Beach

And when the sun drops beyond the horizon, out of view, the symphony doesn’t end.

Dusk falls on Bandon Beach

In fact, the orchestral crescendo begins to take shape with soft colors and the gentleness of the breeze.

Dusk falls on Bandon Beach

This is where the song takes shape.  This is where the minor key takes hold.

Dusk falls on Bandon Beach

Dusk falls on Bandon Beach

Dusk falls on Bandon Beach

Dusk falls on Bandon Beach

It is primal song. And it is one that I will forever try to capture, impossible as it is… it hangs just out of reach in the air around us and passes through us tenderly. It tells us that we are not alone. That this is not all by chance.

It reminds us that every song has a composer.

— andrew


 
Join me on an amazing adventure… check out my exciting, NEW workshop dates:
 
Big Bend NP // Night/ Landscape // 2016
Isle of Skye // S C O T L A N D // 2016
Highlands // S C O T L A N D // 2016
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2015
 
 
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education, photography, travel

Photographing // Tents

Yeah, it’s a thing.  And if you follow me on Instagram, you know that I clearly enjoy it.

Photographing tents in amazing places is trending on Instagram and other social media outlets, and for good reason… it makes for incredible, eye-catching images and it’s really fun.

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Recently, I’ve begun experimenting with the sources of light inside the tent… but when I began, one might say it was a little less calculated and a bit more haphazard.

One of the first times I made a ‘lit tent image’, it was almost accidental.  I pointed my camera in the direction of Squaretop, and intended to do a ghosting image of Ellen and I getting into the tent.  The image that was created would send me into an obsession that has really paid off…

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In many ways, it is simply a means to document some of the cool places I have laid my head.  But when I started getting serious stock and print inquiries from these images I realized I was on to something.

Man hiking up to a winter campsite overlooking Fremont Lake in Bridger National Forest, Wy

Social media would blow up every time I posted one of the tent shots, and I began to notice they were showing up all over my Instagram feed from some of my favorite photographers.  Something in these shots was resonating with people.

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Dusk, colorful sky, and lit tent under a silhouetted Nugent Mountain

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So I began doing them all over the world and experimenting a bit.

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I’ve used everything from cruddy headlamps, to Canon Speedlights, to my Dynalite strobes. And at this point, I’m not set on one method… I know I have a bit more searching to do to find the one best lighting solution that is compact and lightweight enough to take deep into the backcountry when backpacking.

Any recommendations are much appreciated :)

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But one of the things that I have learned over the years of experimenting is that your best bet is to shoot your tent shots during the blue hour. It is the hour +/- just after the sun has set, or just before the sun rises.  I prefer the evening blue hour because it seems to have a quality of light to it that is better to photograph.  But also because you have the daylight first, which allows you to more easily compose your image before it gets too dark. You get to ease into the shot.

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The blue hour is the optimum time for your artificial light to match the exposure and desired color temperature with the sky.

Dusk at Sparks Lake

Lit tent on the rim at Crater Lake

Lit tent on the rim at Crater Lake

But even if you wait a bit longer, you can get the stars in the shot, as an added bonus.  But beware, it is more difficult to match the exposures, so it may take a little experimentation.  If you have the ability, turn your lights down several stops.

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Knowing all of this, the first thing you need to determine is your composition.  It is best to figure this out during the day when it’s light out.  Once you have a composition you like, it’s time to think about where the best, most compelling placement of the tent will be.

Camping in Gifford Pinchot National Forest

The example above is actually where I slept.  But recently, I’ve been setting up the tent just for dynamic shots, like the ones below.  I did not venture to sleep where the tent was in the four images below.  Sometimes the best shot is not also the best place to camp. And the best, most comfortable place to camp does not always make for the most interesting shot.

Lit Nemo Equipment tent on the Ohanapecosh River

Lit Nemo Equipment tent on the Ohanapecosh River

Lit Nemo Equipment tent on the Ohanapecosh River

I hope sharing what I’ve learned is helpful and hopefully inspiring. But it is a process, and I will keep refining my craft.

The sun sets on the Pacific and a tent campsite with beautiful displays of color

I’ll keep you all posted as I learn more. And feel free to comment below if you have experiences or recommendations of you own to share!

Until next time…

— andrew


 
Join me on an amazing adventure… check out my NEW workshop dates:
 
Big Bend NP // Night/ Landscape // 2016
Isle of Skye // S C O T L A N D // 2016
Highlands // S C O T L A N D // 2016
 
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2015
 
 
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education, instructional, photography, travel

Photographing // Waterfalls

Creating stunning waterfall and river shots is not always as simple as finding a compelling composition and just pointing your camera. There are some basic, and even advanced techniques that you need to consider.

I just returned from a three week road trip through Washington state, Oregon, and Northern California; one of the regions of the world with the most abundant waterfalls and cascades, thanks to the very high annual rainfall of the area.

Punchbowl Falls

Toketee Falls

Wahkeena Falls

The scenic Ohanapecosh River

I’ve shot waterfalls from Arizona to Scotland and beyond over the years, but none compared to the concentration and variety I visited recently… I was just blown away by the beauty of the Pacific Northwest.  The forests are lush with vegetation and the rivers run crystal clear and some even take on a deep blue hue.

The scenic Ohanapecosh River

The first concept you want to think about when photographing moving water is whether you want the water to blur or whether you want to stop the action. 9 times out of 10, your image will be more compelling and interesting with blurred water, so that means you will want a shutter speed of at least 1/2 a sec.  I prefer around 2.5 to 10 seconds to achieve the look I like.

But if you have an element of action in your image that needs to be stopped, you will want a faster shutter speed. Consider the image below. Although I would’ve liked the water cascade to be blurred and smooth, I knew it was more important that I stop the action of the cliff jumper… so I made a split second decision to change to a 1/125 sec shutter speed.

Cliff jumping at Punchbowl Falls

So, you might be asking, “What if it’s the middle of the day? How can you achieve such a slow shutter speed?” Well, that’s a great question.  I would refer you to an earlier post on neutral density filters.  But if you don’t have a solid or variable ND, you can often get close enough to the speed you need with your circular polarizer… Which brings me the next consideration to make; to polarize or not.

Proxy Falls

This series of images, shot at Proxy, Toketee, and Punchbowl Falls in Oregon are good examples how of using a circular polarizer can enhance your waterfall photographs. First, the polarizer will give you at least 2-3 extra stops, allowing you to utilize slower shutter speeds. But it will also cut the glare from the water, allowing the colorful water to take shape in your image. But perhaps my favorite reason for using the polarizer is because it will also cut the glare from the surrounding vegetation and make the greens pop like never before.

Proxy Falls

Toketee Falls

Punchbowl Falls

Two men wade to get a closer look at Punchbowl Falls

Lit Nemo Equipment tent on the Ohanapecosh River

The next thing to consider, as I’m sure you’ve butted heads against already, is camera stabilization.  All these long shutter speeds do not work unless you have a very sturdy tripod. I have three tripods that I cycle between that are all great for different reasons and applications.  The best for waterfalls, is my Manfrotto MT055XPRO3 Aluminium 3-Section Tripod with 410 Junior Geared Tripod Head. It is heavy duty though, and if I’m flying to a location or backpacking in, I use my lighter Gitzo GT2340L Series 2 Aluminum 4 Section Tripod, with the same sturdy, geared head.

A good tripod will save you from many headaches in the field and heartaches when you get your images on your computer (or get your film back) and see that none or very few are even sharp.

Proxy Falls

Proxy Falls

But even with a hefty tripod, you will need one more piece of equipment… a remote shutter release. Canon makes two different kinds; the Canon RS-80N3  & the Canon TC-80N3.  I have both and like them, but they are pricey for what they are.

I recently stumbled upon the Polaroid Wireless Camera Shutter Remote.  It is wireless, which is fantastic for so many reasons (including the fact that I can shoot star pictures without leaving the comfort of my tent!), it is an intervalometer (so I can time-lapse, and shoot really long exposures with precision), and the price is right.

There is one way around the shutter release, but you have to set your timer delay every time you want to do a long exposure.  I would recommend investing the money in a decent shutter release, and I would even go with the wireless, intervalometer.

Having a good tripod and shutter release, whether wired or wireless, will ensure no camera shake, giving you the sharpest images possible.

Toketee Falls

The trail to Wahclella Falls follow the beautiful and serene Tanner Creek

The trail to Wahclella Falls follow the beautiful and serene Tanner Creek

Now that we’re done with the technical side of things, I’d like mention something more on the subjective/ artistic side.

Only in recent years have I begun to add people to my landscape images.  And it’s become a bit addicting. It’s a whole different mindset in many ways. But in practice, I simply compose the landscape image I want first, and then I look for the perfect (and most interesting) location within the composition to place the human element.

People admiring the majesty of Wahclella Falls

You may be like me and vehemently resistant to such an idea initially, but I would encourage you to round out your portfolio with interesting “people in nature” images. Unless you exclusively make your living from fine art print sales, you stand to make some decent coin from shots like this.  Both advertisers and editorial producers alike love this type of image.

A man is drawrfed by Elowah Falls

Another prime example of why I would go with the Polaroid Wireless Camera Shutter Remote… Sometimes you will be the only person available to place in your image. The wireless remote makes being your own model a real breeze.  Trust me, I have to do it all the time :)

The scenic Ohanapecosh River

Man hiking Proxy Falls

The scenic Ohanapecosh River

People admiring the majesty of Wahclella Falls

Multnomah Falls

Multnomah Falls

One of the trickiest things about photographing waterfalls is the spray. Powerful waterfalls will produce a spray or mist within a certain distance, and sometimes the shot you want is going to fall within that wet perimeter.  It is very difficult to keep your lens dry.  So what I found is you have to stand in front of the lens until the very last moment, wait for the wind to die down or shift, and then wipe the lens with your lens cloth, all the while jumping out of the way as you press the shutter on your wireless shutter release.  Needless to say, It’s not easy.

A man admiring Wahkeena Falls

So sometimes, you just have to roll with it.  The image above is after I got one good frame, I gave up trying to keep the mist from the front element of my lens, and a very impressionistic image was the result.  I ended up really liking the look and feel. I’m glad I experimented with a non-traditional shot.

Ferns and vegetation detail near Wahclella Falls in Tanner Creek

Along these lines, the last thing I think is important to mention (and this applies to any nature photography you might be in to); don’t forget see the beautiful details.  They are easy to miss sometimes, but when we are able to slow down, tune in to them, and notice the quiet shots, we are rewarded with unique images.

— andrew


 
Take your photography to the next level… check out my exciting, NEW workshop dates:
 
Big Bend NP // Night/ Landscape // 2016
Isle of Skye // S C O T L A N D // 2016
Highlands // S C O T L A N D // 2016
 
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2015
 
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photography, travel

#wyolove

So finally, after all of these years living in and/ or visiting Wyoming, I have the compelling idea I’ve been looking for to do a book.

Just google “wyoming photography books”, and I guarantee you’ll come up with a plethora of titles.  This was always the route I thought I’d take; the typical landscape/ nature photography book.

Well thankfully, I never felt settled with that idea.  Yet I keep returning to photograph the rugged beauty of this place.

So on my last trip in February, I began laying the foundation, making contacts, interviewing people, etc.  It will be very different from the traditional landscape book.  Sorry, I can’t reveal any more just yet… But what I can say is that it will challenge me to the core… Alas, friends, I will have to work with the most unpredictable of all species… people!

What I love perhaps the most about a project such as this however, is that I still get to roam around the great state and attempt to capture the essence of this place that has so completely entranced me for the last 15 years.  And to share it with all of you.

I will return in July and September/ October… so don’t worry… if you’re as obsessed as I am, you’ll get your fill.

So here are some of my favorites from February…

Lone Big Horn Sheep in the snow near Jackson, WY

a hauntingly still winter day in snowy Grand Teton NAtional Park, WY

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Winter wonderland on Pacific Creek in Grand Teton National PArk, WY

Lone Big Horn Sheep in the snow near Jackson, WY

Lone Big Horn Sheep in the snow near Jackson, WY

Big Horn Ram detail

Lone Big Horn Sheep in the snow near Jackson, WY

Big Horn Sheep in the snow near Jackson, WY

A bald eagle perched in a bare tree in Grand Teton National Park in the winter

A colorfull sunrise over the Gros Ventre near Grand Teton National Park, WY

A colorfull sunrise over the Gros Ventre near Grand Teton National Park, WY

Winter sunrise on the tetons from Teton Overlook

Lone male hiker looking out in the snow toward the tetons

A colorfull sunrise over the Gros Ventre near Grand Teton National Park, WY

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Snow covered Tetons form a frozen Jackson Lake in Grand Teton National Park, WY

Snow covered Tetons form a frozen Jackson Lake in Grand Teton National Park, WY

Snow covered Tetons form a frozen Jackson Lake in Grand Teton National Park, WY

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Sunrise over the Winds from the Cora road in the Upper Green River Valley, WY

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Sunrise over the Winds from the Cora road in the Upper Green River Valley, WY

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The Wind River Range from atop the Mesa oilfields near Pinedale, WY

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morning light in the frozen desert near South Pass, WY

the dirt road to South Pass City ghost town, WY

dramatic clouds and road, south pass

dramatic clouds and road, south pass

White tail buck in the brush

Devils tower national monument, WY

Devils tower national monument, WY

dramatic sunset over Devils tower national monument, WY

a lone hiker enjoys a dramtic sunrise over Devils tower national monument, WY

dramtic sunrise over Devils tower national monument, WY

Devils tower national monument, WY

moon over Devils tower national monument, WY

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A man watches sunrise on Togwotee pass

coyote in the snow near moran junction in grand teton national park, wy

sunrise at snake river overlook, grand teton national park, wy

I love my job :)

— andrew


 
Take your photography to the next level… check out my NEW workshop dates:
 
Grand Teton Photographic Tour/ Workshops 2015
More Destination Photo Tours/ Workshops 2015
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2015
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