photography, travel

The Wyomingites | Genesis

When I first arrived in Pinedale in the winter of 2005, it was -40F. Not the most hospitable place I’d ever lived. Considering up until that point, I had only lived in Dallas and Austin, Texas. I had visited a few years prior in the summer, and immediately fell in love with the land. Ask anyone who’s ever been, it’s actually quite common.

I was 25, and I wanted to run away from the city, and people. My best bet was the Union’s least populous state, Wyoming.

There I was, in a town of 1400 people, no stoplights, permanently frozen winter streets, and beautiful wilderness on nearly every side.

I had gone to work for a small weekly newspaper. And in my first meeting with the publisher, Rob, I was given my first assignment… Go around town and ask whomever you meet about this particular issue of the day, and get their opinion and quick portrait. We called it “faces”. It was a recurring small section on page two or three. It was the bane of our existence, as we usually waited until the last minute to complete it, and it was common for folks around town to decline our interview. The paper isn’t always a beloved institution, especially when the publisher has rubbed most of the 1400 in town the wrong way. And me being a Texan, I wasn’t immediately accepted. I took both setbacks as a challenge.

Before I headed out “on the town” for that first assignment, bright eyed and bushy tailed, Rob stopped me, looked me straight in the face and said, with a tone of fear and fury, “Whatever you do, NEVER talk to Mike Ramsey.”

I had almost forgotten the name of this apparently nefarious character that my publisher had advised me against ever getting a quote from… until I sat down at the bar at our local watering hole. You see, there isn’t a ton to do when it’s -40 outside, except drink.

The stranger at the bar next to me was a stout, handsomely gruff, whisky drinking looking fellow. Handlebar mustache and all. You could’ve placed him anywhere in the world, and still immediately recognized him as a man of the Western Rocky Mountains, USA. He wore a King Ropes hat, and his pointed gaze could make you tell the truth.

“I’m Andrew,” I said in a young, overly optimistic way. He looked at me for a moment, as if to test if I were for real.

“I’m Mike,” he said in a raspy, gravely voice. “Mike Ramsey,” as he shook my hand.

I chuckled and immediately told him what my new boss had just said.

“If you want me not to do something, best not to tell me not to do it,” I laughed.

His experience with Texans up to that point was from the loud, rich Houston oil men who’d come up to hunt elk, and the few Boy Scout types that would get lost backpacking the Winds, only to be found weeks later as remains from a grizzly feast. He didn’t necessarily have a high view of my kind. In his mind, we come up with gusto, only to leave broken by the harsh wilderness. And that’s not far from the truth.

It was a slow conversion, but we became close friends.

What I’d come to find as I slowly got to know him over the years, is that he is a very good man, who has lived a wildly interesting life. So interesting and worthwhile that many of his stories demand retelling.

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Mike, Elk Guide, Wind River Range, County 23, WY, 2016

Over the years, Mike has been (or still is) an elk guide, snow plowman, BLM (Bureau of Land Management) petroleum engineer technician, fishing guide, cowboy, forest fire fighter, painter, avalanche safety, snow machine guide, and much more, I’m sure. He has a deep and unique relationship with the rugged land he chooses to call home.

So as much as I tried to avoid it because he is my friend, Mike had to be the first Wyomingite for my book. And don’t worry, I will explain why Rob so adamantly didn’t want me to talk to Mike, and a few harrowing and hilarious stories from his incredible life.

The Wyomingites, will explore the personalities and stories of the men and women who make Wyoming their home. From each of the 23 counties, come unique and challenging landscapes both shaping and being shaped by the (few) humans who inhabit its borders. The photographs are a unique mixture of landscape panoramic, and environmental portrait.

If you would like to learn more, invest to help make this book happen, or you think you have a wonderful Wyomingite subject for me, please email me directly.

— andrew


In honor of the NPS Centennial this year, I have put together a special collection of (some never before seen) my favorite National Park prints. Please check it out and know that 5% of all the profits from the sale of this artwork will be donated to a wonderful organization that works hard to help preserve our Nation’s most magical places, The National Park Foundation.. We will be visiting almost all of the 59 National Parks this year, so check back often as we will be updating the page regularly. Thank you so much for your support!


 
Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
Big Bend NP // Night/ Landscape // 2016 – ONLY 2 SPOTS LEFT!
Isle of Skye // S C O T L A N D // 2016 – 4 SPOTS AVAILABLE
Highlands // S C O T L A N D // 2016 – 4 SPOTS AVAILABLE
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2016
 
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photography, travel

20 Below // Yellowstone

Life is all about adaptation. If you can’t stay flexible, especially when on the road, you’ll end up frustrated and angry. Plans are going to change. Your best efforts will be thwarted frequently. I promise.

This year’s winter Wyoming road trip wasn’t my first rodeo… But perhaps my first trying to camp in the beautiful, frozen hell that is the Yellowstone Caldera. It is common to reach dangerous temps of -60F here. Maybe we got lucky, it only reached -20 for us.

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Most people think I’m crazy… some of the things I do, get myself into. No, I’m actually relatively sane. I see a great human potential to do things that seem impossible or “nuts” to many, and I want to prove that they are quite normal. And maybe even fun.

Yellowstone is one of those places that immediately captured my heart. Love at first sight… smell, touch, feel. It is magical. But of all the seasons I have experienced in this place, winter was the untouchable. Most of the park is only accessible by snow mobile, snow coach, or cross country skis. It requires a lot of preparation and investment to make an overnight camping excursion into Yellowstone in the dead of winter. It demands to be taken seriously. Especially in winter.

I was looking for an opportunity to test myself in a new way.

Sounds dumb, I know. But I’ve always been this way.

When I was little, I wanted to be a stunt man. Often, I would jump off the roof of our house to practice my falls, or bungee a bunch of pillows around my body and throw myself down the stairs. I’ve always enjoyed catching snakes with my bare hands, only to identify them as poisonous or non, afterward.

It’s not that I don’t feel fear. Trust me, I do. Every time I sleep out in grizzly country, I lay awake most of the first night seeing terrible visions of ferocious bear(s) attacking me ruthlessly. Every snap of a twig makes my heart race. But all I have to do to finally get some shut eye is remind myself of the many hundreds of nights I’ve spent under the stars, and how I’ve never had a terrifying experience… with bears, at least. That’s not to say it couldn’t happen, that’s just to point to the reality that it’s more likely that I get struck by lightning. An event about which I literally never worry.

The fact remains, my life is not my own. It is controlled and ordained by a much higher reality than my fears or eccentricities.

It’s really about testing my limits. It’s less about man vs. nature, and more man vs. himself. Testing one’s mental and physical resolve.

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So back to the point: I can scheme for months, but I’d better be ready to surrender each and every meticulous plan.

This whole trip was brought on by my random stumbling on a new program offered by Yellowstone. A few months earlier, while surfing recreation.gov I came across the brand new self-guided snow machine permit. I’d always wanted to see Yellowstone in the winter, but it never appealed to me to go on a guided tour. So this sounded perfect.

I lucked out and got a permit for the timing and area I wanted. Not easy to do since almost every permit was already taken. And it started a whole chain of events that led us to this point. I began planning everything; the road trip, the activities, shot lists, I started lining up sponsors, gear, etc. It was on. We were going no matter what, in my mind. It seemed to be providence.

When we arrived in Wyoming, after a night at Devils Tower, the plan was to head all the way up and over to Cooke City, Montana. Cooke City lies just across the Montana/ Wyoming state line along the Beartooth Highway, just a few miles from the Northeast entrance to Yellowstone. It was going to be a long drive, but for me the payoff was well worth it. It was still a week until our scheduled permit date to enter the park from the South on snow machine. This would serve as our introduction to winter camping Yellowstone.

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I know that the road from Mammoth Hot Springs to Cooke City is open all year. It’s the only road they plow in the park. However, for some reason, the short drive from Sunlight Basin to Cooke City via the Beartooth Highway is not plowed. I had to learn that the hard way. We ended up adding 4 hours to our drive for that mistake. And it was already getting dark.

After a long detour up to I-90 through Montana, and an overnighter at a cheap motel, we finally arrived at the North entrance to Yellowstone at Gardiner, MT.

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Entering Yellowstone is like being dropped on to another planet. At first, it seems familiar; rocks, trees, mountains, rivers. But then you start to see colors and formations rarely seen anywhere else on earth. Steam rising from mountain streams. The smell of sulphur. Vast herds of bison, elk, pronghorn. It’s so unique. And in the winter, when the snow blankets everything and people are harder to spot than the wildlife, Yellowstone possesses even a more haunting spirit.

So there we were, on the doorstep of testing a new resolve in ourselves, a new level of resiliency. Could we take it? Would a wintry Yellowstone break us?

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We spent the night near Mammoth Hot Springs on top of several feet of snow. It was too cold to hang out long enough to make a fire that night, and we were tired from the days of driving, so we opted to burrow into the cozy tent and our sleeping bags early.

The wind, coyotes, and wolves howled through the night.

The temp when we woke was a solid -20 with the wind, so even the most enjoyable of morning tasks like making coffee became painful. We weren’t deep in the backcountry. In fact, we knew that there might even be fresh coffee to be bought nearby at Mammoth. At the very least, we thought, getting out of the wind and into a quickly warming car would be worth it. I would later come to realize that this moment would serve as the beginning of the end of the test of our resiliency. At least in the way I had imagined.

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Our time in North Yellowstone was short. We had friends to meet up with and clients to shoot for down in Jackson and Pinedale, so we left the park, expecting to return from the South in a week.

Over the next week, we spent a few more nights outdoors, but the cold and the snow was wearing us thin. It became harder and harder to sleep at night and warm up in the morning. On top of this erosion of the physical, several friends we had lined up to go with us on the Yellowstone excursion had to cancel.

The epic adventure was in danger of not happening at all. I was undeterred.

Something that once seemed so providential, so “meant to be,”started to feel cursed. Then I received an email from the snow mobile rental company that I was angling to trade marketing photos for free machines, stating that they would not be able to do the deal any more.

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We’d been on the road for two weeks already and were out of money. It was the last straw. The Yellowstone dream would have to wait. This fact, regardless of how obvious, would take a long time for me to accept.

How do we deal with our disappointments and failed plans? What I wasn’t realizing was that my test of resolve on this trip had now taken a new form. It was no longer the sexy physical test of manhood I wanted. It had become all of our worst nightmares… not getting what we want.

For someone who plans as much as I do, I can become fixated, even obsessed, with objective. The trip was such a beautiful success in so many ways, but from my myopic attitude, it looked like a failure because of the one unrealized objective.

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I learned from this trip that man vs. himself is more than just climbing mountains or wrestling alligators. Man’s true resiliency is shown clearly in his/ her ability to roll with the punches. To watch their carefully made plans go down in flames and still make something of it.

It remains one of the hardest things that I (and all of us will) consistently face in life.

— andrew


In honor of the NPS Centennial this year, I have put together a special collection of (some never before seen) my favorite National Park prints. Please check it out and know that 5% of all the profits from the sale of this artwork will be donated to a wonderful organization that works hard to help preserve our Nation’s most magical places, The National Park Foundation.. We will be visiting almost all of the 59 National Parks this year, so check back often as we will be updating the page regularly. Thank you so much for your support!


 
Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
Big Bend NP // Night/ Landscape // 2016 – ONLY 2 SPOTS LEFT!
Isle of Skye // S C O T L A N D // 2016 – 4 SPOTS AVAILABLE
Highlands // S C O T L A N D // 2016 – 4 SPOTS AVAILABLE
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2016
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photography, random thought, travel

The Ocean Song

The sea is emotion incarnate. It loves, hates, and weeps. It defies all attempts to capture it with words and rejects all shackles. No matter what you say about it, there is always that which you can’t.”
― Christopher Paolini

Ellen is an ocean girl.  And clearly I’m a mountain guy.

So I planned a trip recently that I hoped would offer the best of both worlds… the Pacific Northwest Coast.

It really didn’t disappoint.

But I was surprised at how deeply I too fell for the ocean song.

Pacific surf along Del Norte Coast

Dusk falls on the Pacific at Wilson Creek Beach

There’s more to the music of the sea than just the crash of the waves.

A silhouette of a photographer as dusk falls on the Pacific at Wilson Creek Beach

Or the melodic ebb and flow of the tide.

Dusk falls on the Pacific surf at Wilson Creek Beach

There’s the distant surf rolling and rumbling faintly.  Steadily.

Sea birds and pastels accompany the rocks in the Pacific surf along Del Norte Coast

The chatter of the seabirds.

starfish in the tidal pools near Arch Rock

plant life and wildlife in the tidal pools near Arch Rock

The gentle sway of the tiny creatures.

Arch Rock at dusk

There is a sound to the light.  It carries all of these other notes of the sea to create one grand song.

The sun sets on the Pacific and a tent campsite with beautiful displays of color

The sun sets on the Pacific and a tent campsite with beautiful displays of color

The sun sets on the Pacific with beautiful displays of color

Dusk falls on Bandon Beach

Dusk falls on Bandon Beach

And when the sun drops beyond the horizon, out of view, the symphony doesn’t end.

Dusk falls on Bandon Beach

In fact, the orchestral crescendo begins to take shape with soft colors and the gentleness of the breeze.

Dusk falls on Bandon Beach

This is where the song takes shape.  This is where the minor key takes hold.

Dusk falls on Bandon Beach

Dusk falls on Bandon Beach

Dusk falls on Bandon Beach

Dusk falls on Bandon Beach

It is primal song. And it is one that I will forever try to capture, impossible as it is… it hangs just out of reach in the air around us and passes through us tenderly. It tells us that we are not alone. That this is not all by chance.

It reminds us that every song has a composer.

— andrew


 
Join me on an amazing adventure… check out my exciting, NEW workshop dates:
 
Big Bend NP // Night/ Landscape // 2016
Isle of Skye // S C O T L A N D // 2016
Highlands // S C O T L A N D // 2016
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2015
 
 
Standard
equipment review, photography, travel

Canon’s New EF 16-35 f/4L // Field Review

Affordable, super sharp (even called ‘the sharpest Canon has ever made’), and sturdy.  Did I mention it also has IS?  Oh yeah, and a 77mm filter ring. It wasn’t all that long ago (2 years or so) that I posted a review of the Canon EF 17-40 f/4L.  And I liked it.  But let me just say, it doesn’t even hold a candle to the new Canon EF 16-35 f/4L (US $1099).

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 The toil I went through was over whether I should purchase the Canon 16-35mm f/2.8L (US $1699) or the 17-40mm f/4L (US $839).  Both are “L series”, Canon’s best glass, and as a professional I generally don’t buy anything less.  As the saying goes, “you’re only as good as the glass you use.”

So I really had a decision to make.

For me, this lens will fill a big gap in my repertoire of focal lengths.  And as more and more of my business is landscape/ cityscape/ architecture, I am in desperate need of a quality super-wide zoom.

Now, just by the nature of super-wides (and zooms for that matter), some sharpness is sacrificed on the edges for the sake of versatility.  If you need tack-sharp, you need a standard prime.  Wide focal lengths will also cause some distortion on the edges… nothing that can’t be easily corrected in post.  Already knowing these drawbacks, I began to research.

Aside from the obvious difference in focal length, the 16-35 is a full stop faster.  But do I need that full stop?  I decided no for the majority of its use.  I would primarily use it as a landscape lens… so shooting outdoors, it’s nearly inconceivable I would need (or want) f/2.8.  And the second most useful application for me is interior architecture.  But again, I typically light the spaces and rarely shoot wider than f/8.  Okay, so is there a sharpness difference between the two?  Well, without having both lenses in front of me to do my own tests, I had to rely on the careful data of others.  I found a fantastic technical analysis of this very comparison on Luminous Landscape.

As you can see in my earlier post, I couldn’t find too much of a difference between the two former Canon super wide zooms, other than price. But this new 16-35, though slower than its big brother at f/4, is sharper and feels even sturdier.

And the main thing other than price that bothered me about the f/2.8 was the fact that it had an 82mm filter threading. Which means having to buy all new filters. Huge headache… when almost every other one of my lenses use the 77mm.

Now I’ve taken the new EF 16-35/4 with me as my primary landscape lens on my last three trips; Wyoming/ Montana/ Colorado, Pacific Northwest, and Florida. So far, this lens has met all my expectations, and more. I’ve never seen a zoom lens with this kind of sharpness, even at the extreme edges.

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A man hiking the rim at sunset in Crater Lake National Park

Massive old-growth trees in Humboldt Redwoods State/ National Park

Dusk falls on Bandon Beach

Sunset over Trillium Lake

People admiring the majesty of Wahclella Falls

Canon got it right on this lens on all accounts in my book. The autofocus works like a charm, color rings true, the hearty build makes me feel like I’m not going to just snap it in half on accident (like the 17-40), and as I’ve said before, the f/4 works just fine for me with what I shoot.

And if you’re looking for a more technical review, please check out Ken Rockwell’s site.  This guy is amazing and will give you all the tech specs you need!

I can tell you though, If you spend the $1100 USD on this lens, you will not be disappointed.

— andrew


 
Join me on an amazing adventure… check out my NEW workshop dates:
 
Big Bend NP // Night/ Landscape // 2016
Isle of Skye // S C O T L A N D // 2016
Highlands // S C O T L A N D // 2016
 
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2015
 

 

Standard
education, instructional, photography, travel

Photographing // Waterfalls

Creating stunning waterfall and river shots is not always as simple as finding a compelling composition and just pointing your camera. There are some basic, and even advanced techniques that you need to consider.

I just returned from a three week road trip through Washington state, Oregon, and Northern California; one of the regions of the world with the most abundant waterfalls and cascades, thanks to the very high annual rainfall of the area.

Punchbowl Falls

Toketee Falls

Wahkeena Falls

The scenic Ohanapecosh River

I’ve shot waterfalls from Arizona to Scotland and beyond over the years, but none compared to the concentration and variety I visited recently… I was just blown away by the beauty of the Pacific Northwest.  The forests are lush with vegetation and the rivers run crystal clear and some even take on a deep blue hue.

The scenic Ohanapecosh River

The first concept you want to think about when photographing moving water is whether you want the water to blur or whether you want to stop the action. 9 times out of 10, your image will be more compelling and interesting with blurred water, so that means you will want a shutter speed of at least 1/2 a sec.  I prefer around 2.5 to 10 seconds to achieve the look I like.

But if you have an element of action in your image that needs to be stopped, you will want a faster shutter speed. Consider the image below. Although I would’ve liked the water cascade to be blurred and smooth, I knew it was more important that I stop the action of the cliff jumper… so I made a split second decision to change to a 1/125 sec shutter speed.

Cliff jumping at Punchbowl Falls

So, you might be asking, “What if it’s the middle of the day? How can you achieve such a slow shutter speed?” Well, that’s a great question.  I would refer you to an earlier post on neutral density filters.  But if you don’t have a solid or variable ND, you can often get close enough to the speed you need with your circular polarizer… Which brings me the next consideration to make; to polarize or not.

Proxy Falls

This series of images, shot at Proxy, Toketee, and Punchbowl Falls in Oregon are good examples how of using a circular polarizer can enhance your waterfall photographs. First, the polarizer will give you at least 2-3 extra stops, allowing you to utilize slower shutter speeds. But it will also cut the glare from the water, allowing the colorful water to take shape in your image. But perhaps my favorite reason for using the polarizer is because it will also cut the glare from the surrounding vegetation and make the greens pop like never before.

Proxy Falls

Toketee Falls

Punchbowl Falls

Two men wade to get a closer look at Punchbowl Falls

Lit Nemo Equipment tent on the Ohanapecosh River

The next thing to consider, as I’m sure you’ve butted heads against already, is camera stabilization.  All these long shutter speeds do not work unless you have a very sturdy tripod. I have three tripods that I cycle between that are all great for different reasons and applications.  The best for waterfalls, is my Manfrotto MT055XPRO3 Aluminium 3-Section Tripod with 410 Junior Geared Tripod Head. It is heavy duty though, and if I’m flying to a location or backpacking in, I use my lighter Gitzo GT2340L Series 2 Aluminum 4 Section Tripod, with the same sturdy, geared head.

A good tripod will save you from many headaches in the field and heartaches when you get your images on your computer (or get your film back) and see that none or very few are even sharp.

Proxy Falls

Proxy Falls

But even with a hefty tripod, you will need one more piece of equipment… a remote shutter release. Canon makes two different kinds; the Canon RS-80N3  & the Canon TC-80N3.  I have both and like them, but they are pricey for what they are.

I recently stumbled upon the Polaroid Wireless Camera Shutter Remote.  It is wireless, which is fantastic for so many reasons (including the fact that I can shoot star pictures without leaving the comfort of my tent!), it is an intervalometer (so I can time-lapse, and shoot really long exposures with precision), and the price is right.

There is one way around the shutter release, but you have to set your timer delay every time you want to do a long exposure.  I would recommend investing the money in a decent shutter release, and I would even go with the wireless, intervalometer.

Having a good tripod and shutter release, whether wired or wireless, will ensure no camera shake, giving you the sharpest images possible.

Toketee Falls

The trail to Wahclella Falls follow the beautiful and serene Tanner Creek

The trail to Wahclella Falls follow the beautiful and serene Tanner Creek

Now that we’re done with the technical side of things, I’d like mention something more on the subjective/ artistic side.

Only in recent years have I begun to add people to my landscape images.  And it’s become a bit addicting. It’s a whole different mindset in many ways. But in practice, I simply compose the landscape image I want first, and then I look for the perfect (and most interesting) location within the composition to place the human element.

People admiring the majesty of Wahclella Falls

You may be like me and vehemently resistant to such an idea initially, but I would encourage you to round out your portfolio with interesting “people in nature” images. Unless you exclusively make your living from fine art print sales, you stand to make some decent coin from shots like this.  Both advertisers and editorial producers alike love this type of image.

A man is drawrfed by Elowah Falls

Another prime example of why I would go with the Polaroid Wireless Camera Shutter Remote… Sometimes you will be the only person available to place in your image. The wireless remote makes being your own model a real breeze.  Trust me, I have to do it all the time :)

The scenic Ohanapecosh River

Man hiking Proxy Falls

The scenic Ohanapecosh River

People admiring the majesty of Wahclella Falls

Multnomah Falls

Multnomah Falls

One of the trickiest things about photographing waterfalls is the spray. Powerful waterfalls will produce a spray or mist within a certain distance, and sometimes the shot you want is going to fall within that wet perimeter.  It is very difficult to keep your lens dry.  So what I found is you have to stand in front of the lens until the very last moment, wait for the wind to die down or shift, and then wipe the lens with your lens cloth, all the while jumping out of the way as you press the shutter on your wireless shutter release.  Needless to say, It’s not easy.

A man admiring Wahkeena Falls

So sometimes, you just have to roll with it.  The image above is after I got one good frame, I gave up trying to keep the mist from the front element of my lens, and a very impressionistic image was the result.  I ended up really liking the look and feel. I’m glad I experimented with a non-traditional shot.

Ferns and vegetation detail near Wahclella Falls in Tanner Creek

Along these lines, the last thing I think is important to mention (and this applies to any nature photography you might be in to); don’t forget see the beautiful details.  They are easy to miss sometimes, but when we are able to slow down, tune in to them, and notice the quiet shots, we are rewarded with unique images.

— andrew


 
Take your photography to the next level… check out my exciting, NEW workshop dates:
 
Big Bend NP // Night/ Landscape // 2016
Isle of Skye // S C O T L A N D // 2016
Highlands // S C O T L A N D // 2016
 
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2015
 
Standard
instructional, photography, travel

Neutral Density Filter Basics

— andrew


 
Take your photography to the next level… check out my exciting, NEW workshop dates:
 
Isle of Skye // S C O T L A N D // 2016
Highlands // S C O T L A N D // 2016
Big Bend NP // Night/ Landscape // 2016
 
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2015
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photography, travel

#scotlove

Well, it happened again.

I kind of expected it, but still it hit me like a ton of bricks.

I went and fell in love with another place…

Sorry Wyoming, South Sudan, Beirut, Big Bend, Everglades, Mexico, etc.

Please help me welcome Scotland to the list!

These are just a few of my favorites…

Melvich Bay and the Halladale River

Melvich Bay and the Halladale River

A lone sheep trots across the landscape at Clair-loch mor

A lone sheep trots across the landscape at Clair-Loch Mor

ARS_SCOTLAND_150516_5798

Loch Scaven in the rain

 

A855 and the totternish range on the Isle of Skye

A855 and the Totternish range on the Isle of Skye

Dramatic light and clouds and the Isles of Rona and Raasay from the Isle of Skye

Dramatic light and clouds and the Isles of Rona and Raasay from the Isle of Skye

Loch Leathan and the Totternish Range

Loch Leathan and the Totternish Range

The Northern edge of the Totternish Range on skye

The Northern edge of the Totternish Range on Skye

A ship passes through the dramatic light of Duntulm Bay

A ship passes through the dramatic light of Duntulm Bay

Ellen Slaton gazes out at the view of the Sunset, North Sea, and Isle of Harris

Ellen gazes out at the view of the sunset, North Sea, and Isle of Harris from Lookout Bothy

A long day time exposure of the Totternish range with clouds

A long day time exposure of the Totternish range with clouds

Dramatic light and clouds and the Isles of Rona and Raasay

Dramatic light and clouds and the Isles of Rona and Raasay

Dramatic light and clouds and the Isles of Rona and Raasay with Sheep grazing

Dramatic light and clouds and the Isles of Rona and Raasay with Sheep grazing

A855 leading up to Storr and the dramatic Totternish Range on the Isle of Skye

A855 leading up to Storr and the dramatic Totternish Range on the Isle of Skye

Sheep at pature, gesto bay, and Loch Harport, with Cuillin Hills, Isle of Skye

Sheep at pasture, Gesto Bay, and Loch Harport, with Cuillin Hills, Isle of Skye

The hills of Ardmore with red deer

The hills of Ardmore with red deer

Lagavulin Bay and Distillery

Lagavulin Bay and Distillery

Tent camping in Ardcastle Wood

Tent camping in Ardcastle Wood

The banks of Loch Lomond

Loch Lomond

Falls of Falloch

Falls of Falloch

A woman in motion hiking on the Falls of Falloch trail

Ellen in motion hiking on the Falls of Falloch trail

Highland cattle in spring

Highland cattle in spring

Highland cattle in spring

Highland cattle in spring

Buachaille Etive Mòr at night

Buachaille Etive Mòr at night

Buachaille Etive Mòr and reflection in the morning

Buachaille Etive Mòr and reflection in the morning

Stay tuned for new photos, stories, and more….

— andrew


 
Take your photography to the next level… check out my exciting, NEW workshop dates:
 
Isle of Skye // S C O T L A N D // 2016
Highlands // S C O T L A N D // 2016
Big Bend NP // Night/ Landscape // 2016
 
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2015
Standard