advanced, education, photography

SCOUTING IN THE EVERGLADES

By failing to prepare, you are preparing to fail.” ~ Benjamin Franklin

An often overlooked aspect of photography is the time and energy needed to focus on pre-production.

Pre-production is a term we use in commercial photography. It’s the time leading up to the actual day of the shoot that we spend in preparation to iron out all of the details, so that the shoot can run smoothly. It really is no different with travel and landscape/ nature photography… Perhaps just a little less involved and stressful.

So, for the initiated and uninitiated alike, I have several tips. The first and foremost is the importance of scouting.

From “boots on the ground” experience in years past, I knew this shot was possible, so this year I waited for the prime conditions and was rewarded.

Scouting involves time spent researching locations; utilizing the web, books, social media, and “boots on the ground.” So where to start? Well, let’s take an example location and walk through my process. How about the Everglades, since I’m currently looking at this amazing place outside my window!

Preparation, I have often said, is rightly two-thirds of any venture.” ~ Amelia Earhart

Knowing from research that this was an area in which I could get close access to american alligators from a low angle, I was placed in the right scenario to catch a dragonfly resting on this gators head.

When I first visited Everglades National Park as a naive college student back in 2000, I did almost no research. As a consequence, I had an amazing adventure, but came away with very few decent images (and really those few were only by chance). Any photographers worth their salt will tell you that scouting is one of the most important ways to improve consistency in outcome. Really, this principal applies to everything. Preparation is one of the most important keys to success in any endeavor.

Learning from research that dragonflies are plentiful in this part of south Florida, I envisioned this shot months before it materialized right in front of me.

There are several effective ways to scout. Some more effective than others. Here, I’ll run through my list of methods…

First, know how to read maps. More specifically, topographic maps. This seems to be a bit of a lost art these days. With GPS and Siri, many younger folks have lost the ability. Reading contours, elevation changes, and even directions are very important if you want to scout before you even reach the location. I always either purchase a physical map, or download the 7.5 min USGS topos for free to my phone via the Avenza Maps app before beginning the scouting process. Properly reading a top map will help you identify potential areas of interest before reaching a location. If you do not feel comfortable reading a map, I recommend this great video by REI.

I had an idea to show human/ wildlife relationships in the Everglades ecosystem. After chatting with a friend who had heard from a park ranger that this alligator was hanging around a popular lake for kayakers, I was given my opportunity.

Next, I scour the internet for images of the place to which I’m traveling. Google image search and social media (specifically Instagram) are excellent places to start. Search geo tags of your location to get ideas and to visualize what images you would like to capture on your trip. Now, be advised that this can take a little discernment on your part, as some people incorrectly tag images. However, it should give you a broad sense of what is possible, and it will help you to create your ever important shot list. You will likely find many stunning captures when researching, so make notes of the specific locations that catch your eye. This may take a bit of diving, as some images on the web are a bit more cryptic with the location info, and for good reason. Blogs tend to have a lot of good info, so that may be a likely place to start.

Before anything else, preparation is the key to success.” ~ Alexander Graham Bell

There are only a few places in the U.S. to see the endangered American Crocodile. Proper pre-production led me to this fruitful location to get close enough to nature the reptilian eye.

Many photographers though, myself included, have become a bit more tight lipped about specifics in recent years. This is because of the massive spike in travel, and more specifically, photo-tourism, causing locations that used to be quiet, clean, and cherished by professional photographers to become overrun, trashed, trampled, and disrespected by the masses seeking their “trophy shot.” Rest assured, if you point-blank ask a photographer where a particular image was taken, they will almost certainly ignore the inquiry. After a short stint of widely sharing location info broadly over the web, it appears as though we’re back to the age of investigation to find places. And I’ve come around to think that is a better way.

Checking out (at your local library), or buying books on your location is one of the old, time-tested ways of scouting as well. Purchasing is especially helpful if you want to take them with you and if you plan to visit these locations again and again. However, when I’m researching on the cheap, the public library is invaluable! There are several good guidebooks that are specifically oriented to photographers, like The Photographer’s Guide To The Everglades by M. Timothy O’Keefe, for example. There are several in this series, so unless you are planning to visit a very remote location, chances are you will find a suitable guide to give you some ideas.

Guidebooks and previous in person experience gave me the knowledge that purple gallinules can be observed closely on the anhinga trail. I wanted an overhead shot to show the incredible feet of this colorful bird.

The Photographer’s Ephemeris and Photopills are both excellent apps that will help you to figure out whether your specific shots will be best at sunrise or sunset. This is an important step in the research process, as it will insure the best use of your time once you arrive.

At this point, you should have enough specifics and general info to create an extensive shot list. I start with specifics, images that are in my head that I want to achieve first and foremost. Then I add more general shots that I’d like to achieve. Since I’m a pro, I’m also thinking through different ways to make money with my time, so I will often list stock shots, creative projects, video clips, etc. Here is an example of what that might look like to give you an idea. I recommend printing this out before leaving for your adventure, that way, if you think of other shots, you can easily manually add them with a pen or pencil. Also, there is still some scouting to be done once you arrive!

Now that your shot list is made, and you have arrived on location, scouting moves into the “boots on the ground” phase.

Success is where preparation and opportunity meet.” ~ Bobby Unser

Great blue herons can be surprisingly skittish. I knew I wanted a detail shot if the feathers which would require a closer shot even with a 400mm lens. I found the right location to make this shot through research.

Believe it or not, it’s a good idea to visit the gift shop (or tourist shops nearby) and scour the postcards/ posters/ prints for more inspiration and clues. This practice is often rewarding, if only for inspiration. But sometimes a location or image idea will present itself when you least expect it.

Now is the time to use your map reading skills and spend the midday hours exploring. Drive, kayak, walk, fly your drone (where legal) to get a first-hand look at these lovely places you’ve been researching from afar. Note the challenges they might pose so you can be prepared when you return for the good light. And don’t forget to take your camera along! I know it sounds dumb, but depending on where you are, some great photo opportunities may present themselves to you even in the midday hours.

I’ve shot this particular location several times, but always at sunrise. This year, I decided to hike in the midday hours around it to see what a sunset shot might yield. I was again rewarded for the scouting effort.

This article should give you a road map to prepare better for your photo excursions, whether you are a newer pro or a hobbyist. I can assure you that Implementing these strategies is guaranteed to increase your rate of success.

Just like with anything, success comes to the prepared!

–Andrew

Give me six hours to chop down a tree and I will spend the first four sharpening the axe.” ~ Abraham Lincoln


N O M A D  Magazine // Issue 1
Order your copy today and receive this 100 page full color travelgasm at your door!
Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
INTO THE WINDS // BACKPACKING + PHOTOGRAPHY ADVENTURE
GRAND TETON // FALL COLOR // LANDSCAPES + WILDLIFE
TELLURIDE // FALL COLOR // LUXE LANDSCAPES
I’m excited to announce The Photographic Guide to Our National Parks” series of eBooks:
Rocky Mountain National Park
Grand Teton National Park
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
Andrew Slaton // Limited Edition Prints
Andrew Slaton // Canvas + Metal Prints
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
Tandem Stills + Motion // Andrew Slaton 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
Thanks for visiting AndrewSlatonBlog.com!
All images and content © ARS Media, LLC 2020
 
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beginner, education, instructional, national parks, photography, travel, workshop

10 Comp Tips For Better Photos

As photographers, there is much that is out of our control; weather, wildlife, seasonal changes, road/ trail conditions, etc.

But one thing that we always have ultimate control over is our compositions. Just like a composer of music has the ability to manage the notes, tones, and rests of his/ her musical compositions, photographers have the responsibility of choosing what to include, what to leave out, and how the viewer will ultimately see and feel the final image.

Here are 10 major composition techniques that, if used properly, will make your photos drastically better, immediately.

1. THE RULE OF THIRDS

Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines. The rule of thirds says that you should position the most important elements in your scene along these lines, or at the points where they intersect.

Doing so will add balance and interest to your photo. Some cameras even offer an option to superimpose a rule of thirds grid over the LCD screen, making it even easier to use.

2. BALANCING ELEMENTS

Placing your main subject off-center, as with the rule of thirds, creates a more in- teresting photo, but it can leave a void in the scene which can make it feel empty. You should balance the “weight” of your subject by including another object of lesser importance to fill the space.

3. LEADING LINES

When we look at an image, our eye is naturally drawn along lines. Being thoughtful and intentional about how you place lines in your composition can dramatically affect the way the viewer sees the image. It can pull the viewer into the picture, towards the subject, or on a journey through the scene. There are many different types of leading lines – straight, diagonal, curvy, zigzag, radial etc – and each can be used to enhance our photo’s composition.

4. SYMETRY + PATTERNS

We are surrounded by symmetry and patterns, both natural and man-made. They can make for very eye-catching compositions, particularly in situations where they are not expected. Another great way to use them is to break the sym- metry or pattern in some way, introducing tension and a focal point to the scene.

5. VIEWPOINT/ PERSPECTIVE

Before photographing your subject, take time to think about from where you will shoot. Our viewpoint has a massive impact on the composition of our photo, and as a result it can greatly affect the message that the shot conveys. Rather than just shooting from eye level, consider photographing from high above, down at ground level, from the side, from the back, from a long way away, from very close up, and so on.

6. BACKGROUND

How many times have you taken what you thought would be a great shot, only to find that the final image lacks impact because the subject blends into a busy background? The human eye is excellent at distinguishing between different elements in a scene, whereas a camera has a tendency to flatten the foreground and background, and this can often ruin an otherwise great photo. Thankfully this problem is usually easy to overcome at the time of shooting – look around for a plain and unobtrusive background and compose your shot so that it doesn’t distract or detract from the subject. Silhouettes can be an incredibly valuable and striking way to do this well.

7. DEPTH

Because photography is a two-dimensional medium, we have to choose our composition carefully to conveys the sense of depth that was present in the actual scene. You can create depth in a photo by including objects in the foreground, middle ground and background. Another useful composition technique is overlapping, where you deliberately partially obscure one object with another. The human eye naturally recognizes these layers and mentally separates them out, creating an image with more depth.

8. FRAMING

The world is full of objects which make perfect natural frames, such as trees, archways and holes. By placing these around the edge of the composition you help to isolate the main subject from the outside world. The result is a more focused image which draws your eye naturally to the main point of interest.

9. CROPPING

Often a photo will lack impact because the main subject is so small it becomes lost among the clutter of its surroundings. By cropping tight around the subject you eliminate the background “noise”, ensuring the subject gets the viewer’s undivided attention.

10. EXPERIMENTATION

Composition in photography is far from a science, and as a result all of the “rules” above should be taken with a grain of salt. If they don’t work in your scene, ignore them; if you find a great composition that contradicts them, then go ahead and shoot it anyway. But they usually prove to be spot on, and are worth at least considering whenever you are out and about with your camera.

— Andrew


Ellen and I hit the road full-time in June of 2016. We are on a mission to inspire and educate everyone on the importance of getting outside. Check out my workshops and my prints, made #ontheroad in my mobile print studio. The revenue will help propel us further on this great adventure. Enrich yourself and others… and feel great about it too as you’re helping to ensure our public lands are cherished and to keep the wild spirit of the American Dream alive. Our goal is to visit all 59 National Parks in 3-5 years. LEARN MORE ABOUT WHAT WE’RE DOING HERE


Check out our new show, ONE WILD LIFE, and subscribe to our YouTube Channel! 


Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
REMOTE WYOMING // ADVENTURE + LANDSCAPE
TELLURIDE // FALL COLORS + LANDSCAPE
 
I’m excited to announce my “The Photographic Guide to Our National Parks” series of eBooks:
 
Rocky Mountain National Park
Grand Teton National Park
 
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton // prints from the road
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
  
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
All images and content © ARS Media, LLC 2018
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education, nature, travel

Scotland: Revisited

Many years ago, when I was still single… I decided to take a very unconventional trip. I knew the time was right to visit my family’s country of origin… Lebanon. I was half-Lebanese, young, and single, and I had a shoot in Spain, so I would already be more than half way there. This was my first big international trip, and of course, it triggered what would become a lifelong passion for travel and experiencing different cultures.

Fast-forward nearly a decade. Ellen and I were doing quite well and we wanted to do an international trip together. Her heritage is largely Scottish (I have a little bit in me too), and I happened to be obsessed with Braveheart growing up… not to mention we both love fine Scotch whisky and dramatic scenery… so it was really a no brainer. Scotland was in our crosshairs!!

Ellen and I fell in love with Scotland immediately. It’s green hills, craggy mountains, moody weather, crashing seas, remote islands, hearty and happy people.

The landscapes completely captivated us.

It was vacation, but it also turned into a 3 week scouting road trip. I knew that I eventually wanted to teach workshops in this dynamic and friendly country. We knew we wanted to make this an annual trip.

So, fast forward again to this year. I had a few folks interested in taking my workshop in Scotland, but they ended up falling through last minute. We were pretty sure Scotland wouldn’t happen for 2017.

Then, seemingly out of nowhere, we had a client who was all in! He wanted a private workshop, so I began tailoring an incredible trip to his likes and aptitudes.

We set out a week before his arrival to scout and re-scout, making sure our locations were singing… oh… and they were!

All in all, we had an incredible 3 week road trip through the Highlands, Isle of Skye, and Islay. It was magical, as always.

We even discussed moving to the UK after our 3-5 years on the road in the US, making Scotland our “home base” from which to explore Europe, and the rest of the world…

\

If you have any interest, consider joining us in May of 2018 for a magical photo workshop, touring the best of the Highlands, Skye, and a few of your favorite whisky distilleries.

I guarantee you will not be disappointed.

— Andrew


Ellen and I have hit the road full-time! We are on a mission to inspire and educate everyone on the importance of getting outside. Check out my workshops and my prints, made #ontheroad in my mobile print studio. The revenue will help propel us further and further on this great adventure. Enrich yourself and others… and feel great about it too as you’re helping to ensure our wild lands are cherished and to keep the wild spirit of the American Dream alive. Our goal is to visit all 59 National Parks in 3-5 years. LEARN MORE ABOUT WHAT WE’RE DOING HERE



Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
BIG BEND // LANDSCAPE + THE ART OF SEEING // 2017 – ONLY 4 SPOTS AVAILABLE
LEARN PHOTO + CAMERA BASICS // USA // 2017 – SEE IF I’M COMING TO YOUR CITY
EVERGLADES // LANDSCAPE + NATURE // 2017 – SNOW BIRDS UNITE!
SCOTLAND // LANDSCAPE // SKYE + HIGHLANDS // 2018 – ONLY 4 SPOTS AVAILABLE!
 
I’m excited to announce my “The Photographic Guide to Our National Parks” series of eBooks:
 
Rocky Mountain National Park
Grand Teton National Park
 
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton // prints from the road
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
  
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2017
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education, travel

The Silhouette

Canon EOS 5D MK II, EF500mm f/4L IS II USM, f/6.3 1/2000 ISO 500

Simplicity, Simplicity, Simplicity!” ~ Henry David Thoreau

In communication, simplicity is king. Getting to the point, and leaving no room for misinterpretation is efficient and effective. We, as photographers, are visual communicators. And more specifically, we as nature/landscape photographers are communicating emotion through our images. So how do we keep the clutter down to get our core point across?

Well, one of my favorite techniques is, you guessed it… the silhouette.

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/8 1/60 ISO 800

The “Why”

Why does this technique work so well? Well, simply put: it strips down our subject into fewer and fewer elements – mostly shape, light, and color. But even the light element is typically ultra simplified… a silhouette is nine times out of ten backlit. As a consequence, it can often more efficiently communicate an idea, emotion, or memory. It is supremely graphic by nature and it brings unparalleled drama to an image.

There are many instances that would lead one to use this technique. One of those would be when you simply want to accentuate color and cloud texture. This is often during sunset or sunrise. But it requires a simple, uncluttered landscape, like the example above. In this particular image, I wanted to set the viewer’s focus on an iconic landmark of Big Bend National Park, Mule Ears. Even if you’ve never seen or heard of Mule Ears, I bet you can pick it out, can’t you? And have an emotional response to the colors. Thus the beauty of a silhouette.

The Technique

Every situation will be a little different, however, one simple rule remains; get your exposure from your background. What do I mean by this? Take a spot meter reading on the brightest part of your image, usually the sky. Now this can get a bit tricky if you are shooting directly into the sun. You may have to play around with it a bit to get just the right exposure. Don’t be afraid to let the sun blow out just a bit. What you really want to watch out for and guard against is for the blacks to get muddy. Determine what will be your deepest, truest black in the image, and pay close attention to how it looks. Does it start to blend with the layer just behind it? If so, you need to open up your exposure a little. Try again.

One of the hardest parts about creating a truly wonderful and compelling silhouette image is the balancing of the highlights and the shadows. But unlike in a conventionally lit exposure, your range will be many fewer “zones”. If you are familiar with Adam’s Zone System, you know that a traditional exposure might have 9 or 10 “zones”, or distinct tones. Nowadays with digital, it is possible to achieve even more. However, with a silhouette, you may have as few as 2. But most often in nature photography, it will be more like 4-5 “zones”.

Composition is Key

Even more important than balancing tones in a silhouette is your composition. The rule of thirds and balance are supremely important to creating an effective silhouette. In the image below, the upper third is dominated by beautiful color and cloud texture, the middle third with warm, pouring light over rocky crags, and the lower third, an imposing, immovable mountain. The upper-middle left third, with it’s eye-catching light rays, is balanced by the lower-middle right third of the black peak.

Simplifying your compositions will make your silhouettes better. Go in tight, and get rid of clutter as much as possible.

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/11 1/800 ISO 400

When To Use

On my most recent travels through the American South and Southwest I used silhouetting a lot. Like most nature/landscape photographers, I am often shooting at dusk and dawn, when the sky lights up with the day’s most pleasing light and colors. Silhouettes can help to accentuate and enhance the light and color. It also gives the photographer an easy way to shoot directly in to the sun, without the worry of needing a crazy dynamic range.

See the image below from Saguaro National Park. The saguaro cactus is an iconic symbol of the American Southwest. I could’ve chosen to photograph this specimen with front lighting or even side lighting, which would’ve allowed the viewer to see the color and some of the texture of the cactus. But I chose to silhouette it, placing the setting sun almost directly behind the subject to capture the light and color of the dusk, allowing the viewer to connect even more deeply to the well-known shape and spiny texture of the saguaro. To me, it is a more interesting and emotional image.

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/16 1/250 ISO 400

Canon EOS 5D Mark II, EF70-200mm f/2.8L IS USM +2.0x, f/5.6 1/5000 ISO 500

I often do this with iconic flora and fauna (like the heron in the image above or the opening elk shot). When I travel to a new place, it is almost an unconscious effort to make sure I capture a very graphic silhouette of recognizable, quintessential actors of the local landscapes.

See below… The giant palms of Florida, the straight, endless, tall pines of the Everglades, the migrating cranes of the American south, etc. They are all quick reads, accentuating the shape, light, and color, rather than the leaf, trunk, feather, etc details.

Canon EOS 5D Mark III, EF16-35mm f/4L IS USM, f/4 1/30 ISO 400

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM +2x III, f/11 1.125 ISO 100

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM +2x III, f/5.6 1/1000 ISO 320

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/11 1/500 ISO 250

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/8 1/100 ISO 500

As we all know, the sun is not our only source of natural light. The moon can be a wonderful backdrop for a variety of silhouetted subjects. The key to a successful shot like this is a (at least near) full moon, close to the horizon, with a long lens (at least 300mm), and a compressed subject that is far enough in the distance that it will fit nicely within the confines of the moon.

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM +2x III, f/5.6 1/200 ISO 1000

Sometimes a partial silhouette is your best choice for an image. What I mean by “partial” is that instead of having a pure black subject, you might have several layers of tones. But it still constitutes a silhouette because there is no real detail in the shadows to speak of… they are simply shades of color (or gray in B&W). These work wonderfully well when there are layers of mountains in the distance. I use this technique often to convey distance, grandeur, and intense color. Below is a good example from a recent shoot in the Grand Canyon.

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/8 1/80 ISO 640

The Active Landscape

Placing humans in your silhouetted landscape brings a sense of scale and a personal connection to an image that cannot be achieved otherwise. The photographer can now convey multiple messages, like a sense of activity or action, like the surfing couple below.

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/11 1/125 ISO 320

People can add a new set of emotions to an image that without them is much harder to achieve. The man below, craning to capture the gorgeous sunset on his phone is universally understood and relatable.

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/11 1/250 ISO 125

The lone man (or couple in love) quietly standing in awe and contemplation of the beautiful sunset before them (see images below).

Canon EOS 5D Mark III, EF16-35mm f/4L IS USM, f/16 1/40 ISO 250

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/11 1/400 ISO 320

Once you start practicing silhouetting your subjects, you will begin to see silhouettes everywhere. They are great to add to your repertoire and portfolio to mix things up, keep you creative, and to be a more effective communicator.

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/11 1/1000 ISO 320

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM, f/9 1/25 ISO 640

And you will be ready when the real magic hits like in the image below, when all the elements come together right before you… the early dawn sunlight filters through fog rising to create a moody and dramatic image that cuts to the soul of your viewers.

Canon EOS 5D Mark III, EF70-200mm f/2.8L IS USM +2x III, f/11 1/500 ISO 320

Happy shooting!

— Andrew

Simplicity is the ultimate sophistication.” ~ Leonardo da Vinci


Ellen and I have hit the road full-time! We are on a mission to inspire and educate everyone on the importance of getting outside. Check out my workshops and my prints, made #ontheroad in my mobile print studio. The revenue will help propel us further and further on this great adventure. Enrich yourself and others… and feel great about it too as you’re helping to ensure our wild lands are cherished and to keep the wild spirit of the American Dream alive. Our goal is to visit all 59 National Parks in 3-5 years. LEARN MORE ABOUT WHAT WE’RE DOING HERE



Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
SCOTLAND // ULTIMATE ROAD TRIP // 2017 – SOLD OUT
TELLURIDE // LANDSCAPE + MOUNTAIN LIGHT // 2017 – 4 SPOTS LEFT
GRAND TETON // LANDSCAPE + FALL COLORS // 2017 – 6 SPOTS LEFT
YELLOWSTONE // LANDSCAPE + WILDLIFE // 2017 – 6 SPOTS LEFT
 
I’m excited to announce my “The Photographic Guide to Our National Parks” series of eBooks:
 
See what’s NEW + download your free Grand Teton National Park sample today!
 
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
  
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com
 
All images and content © ARS Media, LLC 2017

 

 
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education, travel

The Photographic Guide to Grand Teton National Park

Well, it’s been a little while since I last posted… so much going on here with our new life on the road! I promise I will start posting again soon. But first, I wanted to share some exciting news…

Screen Shot 2017-03-19 at 9.53.17 AM.pngThis is for all you “do-it-yourselfers” out there! The long awaited second installment to my eBook series of interactive photo guides to our National Parks, The Photographic Guide To Grand Teton National Park.

Grand Teton is my backyard National Park, and because of that, I know it like the back of my hand. If you are planning a trip to this magnificent area, this is the guide for you.

Everything from clickable GPS locations on every photo and how to capture them, to lodging info and where to find wildlife… plus so much more. I have poured a lot of time and love into this eBook and I know it will make your next visit to Grand Teton incredible.

You can purchase and download it directly on my website right now. Put it on your phone, tablet, laptop, whatever. Do your research at home before the trip, and then take it with you in the field! There is no better way to make the most of your next National Park excursion.

Please check it out. I’d love to know what you think. You can also download a free sample HERE to see if you like it first.

Soon to follow, Big Bend and Yellowstone.

— Andrew


Ellen and I have hit the road full-time! We are on a mission to inspire and educate everyone on the importance of getting outside. Check out my workshops and my prints, made #ontheroad in my mobile print studio. The revenue will help propel us further and further on this great adventure. Enrich yourself and others… and feel great about it too as you’re helping to ensure our wild lands are cherished and to keep the wild spirit of the American Dream alive. Our goal is to visit all 59 National Parks in 3-5 years. LEARN MORE ABOUT WHAT WE’RE DOING HERE



Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
TELLURIDE // LANDSCAPE + MOUNTAIN LIGHT // 2017 – 4 SPOTS LEFT
GRAND TETON // LANDSCAPE + FALL COLORS // 2017 – 6 SPOTS LEFT
YELLOWSTONE // LANDSCAPE + WILDLIFE // 2017 – 6 SPOTS LEFT
SCOTLAND // ULTIMATE ROAD TRIP // 2017 – 1 SPOT LEFT
 
I’m excited to announce my “The Photographic Guide to Our National Parks” series of eBooks:
 
See what’s NEW + download your free Grand Teton National Park sample today!
 
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
  
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com
 
All images and content © ARS Media, LLC 2017
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education, travel

An Information Dump

When a friend recently suggested I do an eBook, I was not immediately on board.

First, I know that they are a ton of work, with very little payoff. After all, eBooks aren’t making very many millionaires out there.

Second, I may be on the road now, but I feel like I have less “free” time now than I did when I lived in the city. And third, what the heck do I know about creating an eBook!?

“So what’s the point?” I thought to myself.

“Well, they’re a way you can give back a little,” he said. “You can reach a whole new segment of your following. The people that can’t necessarily afford the time or expense of doing one of your workshops… Or just the people who are the ‘do it yourselfers.'”

That part resonated with me. I’ve always been the “do it yourself” type. Opting to do the research myself rather than go on a workshop.

the-photographic-guide-to-rocky-mountain-national-park-coverI’ve since changed a little and take workshops at least once a year when I can, because I see the benefit of working closely with others, but I still relate to this other segment of folks who follow my work.

But I wasn’t satisfied with the “old way” of doing books. I wanted this to be an experience that puts all the tools needed to get the most out of a photo trip right at the finger tips of anyone reading.

So I set out to make a fully interactive, organized information dump that people can carry right on their cell phone, on location, or read on their tablet on a flight, or simply cross-reference and research from their home computer while in the planning phase. Wherever and whenever.

I am excited to announce the first in a (hopefully) long series of National Park photography guides, The Photographic Guide To Rocky Mountain National Park.

It’s available for direct purchase and download on my website right now, and soon to be available on Amazon.

Please check it out. I’d love to know what you think. You can also download a free sample HERE.

Soon to follow, Grand Teton, Big Bend, and Yellowstone.

— Andrew


Ellen and I have hit the road full-time! We are on a mission to inspire and educate everyone on the importance of getting outside. Check out my workshops and my prints, made #ontheroad in my mobile print studio. The revenue will help propel us further and further on this great adventure. Enrich yourself and others… and feel great about it too as you’re helping to ensure our wild lands are cherished and to keep the wild spirit of the American Dream alive. Our goal is to visit all 59 National Parks in 2-4 years. LEARN MORE ABOUT WHAT WE’RE DOING HERE



Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
TELLURIDE // LANDSCAPE + MOUNTAIN LIGHT // 2016 – SOLD OUT
TELLURIDE // LANDSCAPE + MOUNTAIN LIGHT (Trip 2) // 2016 – ONLY 2 SPOTS AVAILABLE
LOCAL + PRIVATE WORKSHOP // 2016 – AFFORDABLE RATES FOR ME TO COME TO YOU
BIG BEND // LANDSCAPE + NIGHT SKY // 2017 – MOST POPULAR! 6 SPOTS AVAILABLE
LEARN PHOTO + CAMERA BASICS // DALLAS // 2016 – 20 SPOTS!
 
I’m excited to announce my “The Photographic Guide to Our National Parks” series of eBooks:
 
See what’s NEW + download your free Rocky Mountain National Park sample when it releases!
 
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
  
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com
 
all images and content © ARS Media, LLC 2016
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education, photography, travel

#findyourpark | ROCKY MOUNTAIN

Rocky Mountain National Park in Colorado is the quintessential Summer mountain destination. With cool temps in the 40’s to upper 70’s, it’s a nice getaway from the sweltering heat of the lowlands. It is incredibly beautiful in any season, but Summer offers the most to see and do since the elevations can reach in to the 14k’s. And what better time to visit this iconic park, than the Summer of 2016, the 100th anniversary of the National Park Service.

I admit that I visited this park a little later in life. My family used to go camping in Colorado every Summer, but for some reason, we stayed mostly in the south/ southwest part of the state, in the San Juan mountains. I did not first visit Rocky Mountain National Park until 2013. But I’ve made up for lost time and visited many times in the last several years. It is a truly spectacular park with much to see and do.

There is so much to see and do, in fact, that this post is in no way comprehensive. It is simply a list of some of my favorites, and many of the “musts”.

ARS_RMNP_141023_1606

When To Go

As I’ve stated, Summer is definitely the most popular time of year, and for good reason; good weather (just watch out for afternoon thunderstorms!), abundant wildlife, easy access, etc. But Fall is spectacular with colorful foliage, no mosquitos, and energetic wildlife, frantically preparing for the harsh Winter to come. It’s moodier in the Fall. The weather is unpredictable and makes for more interesting photos.

Winter is quite nice in its own way as well, but very cold, and many of the roads are closed. The road to Bear Lake is open though. Winter transforms any mountain destination into a peaceful, quiet scene, and RMNP is no exception. Plus the crowds are virtually non-existent.

How To Get There

RMNP is one of the most easily accessed National Parks, as it is a short drive from Denver International Airport. Flights into DEN are relatively cheap, and so are rental cars. So whether you drive or fly, it doesn’t have to break the bank to get there.

From Denver, head north along I-25 until reaching Loveland. Take 34 to Estes Park, which is right outside the park. There are other routes to take from Denver, but I have found this to be the quickest, least trafficked.

Driving Trail Ridge Road at night, Rocky Mountain National Park, CO

Be prepared for many cars, trucks, and RV’s on the road into Estes Park, and RMNP, especially in Summer. If you’ve been to Yellowstone or Yosemite, reference these memories. Just take your time and relax. Enjoy the scenery, even if traffic jams aren’t your thing :) Chances are, if you keep your eyes peeled, even with all the people and automobiles, you’ll get to see wildlife wherever you are.

Where To Stay

If camping isn’t your thing, there are so many options in and around the wonderful little town of Estes Park. From cheap motels, to swanky hotels with all the amenities, there is no shortage of places to stay within 15 minutes of RMNP. However, even with an abundance of options, the wise traveler will book as early as possible to ensure their desired accommodations. This area receives over 3.5 million visitors every year, so plan ahead.

If you’re a camper, like me, you can of course stay at any one of the developed campgrounds within the park, though they fill very quickly, especially in the Summer. There are even several NPS maintained campgrounds just outside RMNP, that serve as popular alternative access points to the park. For NPS camping info, go here.

To download a full, detailed park map of Rocky Mountain National Park, click here or the image below:

Screen Shot 2016-06-20 at 12.16.56 PM

ARS_RMNP_0613_0249

As you can see in the map, the park is surrounded by National Forest. These can provide great, free (or low cost) camping as well, but keep in mind, it will be primitive. I’ve car camped several times in undeveloped Arapaho (west) and Roosevelt (east) National Forest sites, and really enjoyed the solitude and cheap living. Usually, the park can be accessed within a 20 minute drive from many of these sites. They are first come, first served though, and some roads may be too rough for low clearance vehicles and large trailers/ RVs.

What To Do

I feel silly writing about this, because it would seem obvious to some. But Rocky Mountain National Park really is one of those parks with so much to see and do, it may help to have a few things highlighted for the first-timers.

Driving

There is so much to see just from the car window, so a good bit of time can be spent driving. From Many Parks Curve and all of Trail Ridge Road to Old Fall River Road and Moraine Park, many beautiful scenes can be seen right from the passenger seat.

alluvial fan, Rocky Mountain National Park, CO

Driving Trail Ridge Road, Rocky Mountain National Park, CO

Trail Ridge Road (TRR) is one of the great, paved alpine roads through the Rockies. Drivers can wind up from Deer Ridge Junction to top out at over 12,000 feet elevation. Keep in mind that Trail Ridge Road closes in mid-October, due to the high elevations. There are many stops along the way to get out and experience, including (but not limited to): Many Parks Curve, Lava Cliffs, Alpine Ridge Trail, Medicine Bow Curve, etc. The Alpine Visitor Center is your best spot for info, restrooms, gifts, and refreshments. It sits atop near the highest point in the road (12183 ft) and boasts phenomenal views. TRR is a must drive for anyone visiting RMNP. Just be sure to hydrate, as it is common to experience symptoms of altitude sickness at these elevations.

Driving Trail Ridge Road, Rocky Mountain National Park, CO

Old Fall River Road is a one-way alternate route to the top of TRR. Starting about a mile past the Alluvial Fan, cars can switchback their way through forests past gorgeous flowing streams, up steep switchbacks to get a whole different view of the subalpine and alpine ecosystems. Eventually arriving up at the Alpine Visitor Center, at the top of Trail Ridge Road. Keep in mind that this road is only open from July 4 through September. Be sure to take it slow, and bring plenty of water!

silhouetted cyclists on trail ridge road, Rocky Mountain National Park, CO

Wildlife Viewing 

This is one of the best parks in the U.S., except possibly Yellowstone, to view wildlife. Rocky Mountain elk, moose, deer, black bear, coyote, eagles, hawks, fox, pika, big horn sheep, and more can all be seen in one day here.

Cow moose with baby Rocky Mountain National Park, CO

bull elk in velvet in Rocky Mountain National Park, CO

Slowly driving the main roads is one great way to see wildlife. Begin early and stay late are the mottos of successful wildlife watchers. Dawn and dusk are the best times to see animals, just about anywhere. It can be a gamble to see anything during the heat of the day. Animals are typically resting in shaded areas hidden by the dense forests and rocky outcroppings, making spotting them nearly impossible.

Bull Elk resting in high alpine tundra of Rocky Mountain National Park, CO

Bighorn sheep crossing the road in Rocky Mountain National Park, CO

For very specific tips on where to find certain wildlife, and how to photograph them, see my new eBook, The Photographic Guide to Rocky Mountain National Park.

Bighorn sheep crossing the road in Rocky Mountain National Park, CO

Cow moose in the Colorado River, Rocky Mountain National Park, CO

american robin, Rocky Mountain National Park, CO

Two Mule deer bucks spar on the side of the road during the rut in rocky mountain national park.

Rocky Mountain Bull Elk, Rocky Mountain National Park, CO

Hiking

In 2013 massive flooding occurred in the town of Estes Park and parts of the eastern side of RMNP. Please check with a ranger station for up to date trail conditions before embarking on any hikes.

hikers, Rocky Mountain National Park, CO

RMNP has  hundreds of miles of scenic trails throughout the park, ranging from very easy, to very difficult. Depending upon your skill level there really is something for everyone. Be sure always to hydrate more than you think you need to, and try to avoid late afternoon hiking in the Summer, as lightning is a very real danger.

A front rolls in over Long's Peak in spectacular color.

Long's peak from Bear Lake, Rocky Mountain National Park, CO

The Bear Lake trailhead offers several stunning, but heavily trafficked hikes. Due to its high volume of visitors, there are shuttles available to avoid the potential parking nightmare.

rocky-mountain-bear-lake-trail-map

The best (and most popular) from the Bear Lake trailhead is, of course, Dream Lake. Download the map above! This is a fairly easy hike and very heavily used, but for good reason. Starting at the Bear Lake trailhead, it is only a few miles to stunning alpine views of Hallett and other peaks. The trail passes Nymph Lake, then up to incredible Dream Lake, and if you keep going, the next reward is Emerald Lake. All three are beautiful and worth seeing and photographing in their own rights. You may not beat the crowds with this hike, but it is certainly a “must see & do”.

hikers at dream lake, Rocky Mountain National Park, CO

Sunrise at Dream Lake, Rocky Mountain National Park, CO

waterfall near emerad laek, Rocky Mountain National Park, CO

There are over 300 miles of trails to hike in RMNP. And all of them have merit. Consult the book recommended above for more great hikes, specific to what you’re looking to see/ achieve.

Backpacking

There are so many great backpacking opportunities within the boundaries of Rocky Mountain National Park, well, and many more in the immediately surrounding areas for that matter. If you plan to backpack in RMNP, you will need a few things specific to the park: First, stop at the Wilderness Office for a permit and current wilderness information. For more info, go HERE. You will also need a bear proof food container. I recommend this one. Next, you will need a good map. The one provided above is great for basics, but if you choose to venture out in to the backcountry, you will definitely want this map.

Timber Creek, Rocky Mountain National Park, CO

sunrise at Odessa Lake, Rocky Mountain National Park, CO

Creek flowing out of Odessa Lake, Rocky Mountain National Park, CO

Fern Lake, Rocky Mountain National Park, CO

This is clearly a Rocky Mountain NP specific, (very) short list. If this is your first time backpacking, I recommend reading up on what gear and clothing you will need generally, and how to prepare for several nights in the backcountry. Any time you step in to the wilderness, life becomes very serious, and all about survival. That statement is not meant to scare anyone away from enjoying such an experience, it is simply to highlight the fact that trekking into the wild, with none of the comforts/ securities of modern life can take many people by surprise. Search and rescue missions have increased exponentially in recent years, often due to the unpreparedness of people. Be aware! And enjoy responsibly.

night at Odessa Lake, Rocky Mountain National Park, CO

If you are looking for a beautiful, quick overnighter, Timber Lake, and Odessa Lake are my favorites. Both are under 8 miles one way and offer beautiful views, and a wonderful backcountry experience. The Timber Lake trailhead is on the east side of the park, just 10 miles north of Grand Lake. Odessa Lake can be accessed either from the Bear Lake or Fern Lake trailheads.

Fishing

Sport fishing is allowed in the park, and all that is required is a valid Colorado fishing license. There are many idyllic streams, lakes, and rivers within the park to break out the fly rod or spinner reel, where one can experience peace and solitude. But be aware of any regulations and or conservation efforts in place before packing up and heading out. All current regulations and information can be found HERE.

creek in forest, Rocky Mountain National Park, CO

Fly fishing Dream Lake, Rocky Mountain National Park, CO

Dream Lake outlet waterfall in Rocky Mountain National Park, CO

creek near dream lake, Rocky Mountain National Park, CO

timber creek, Rocky Mountain National Park, CO

Photography

This park is one of my favorite for all of its photographic opportunities. Regarding landscape, wildlife, stars, and general nature photography, it is one of the best.

Stars over dream lake, Rocky Mountain National Park, CO

columbine, Rocky Mountain National Park, CO

A front rolls in at dawn over Long's Peak in spectacular color.

There are of course the tourist spots, where you’ll be elbowing other people to get some of the classic postcard shots, but then there are the off the beaten path spots. I am now putting major time and effort into providing you with all of my favorite secrets within our National Parks, and I’m excited to announce Rocky Mountain NP as my first eBook! You can look forward to maps, locations, photo tips, and much more in this soon-to-be-released eBook. Pre-order it HERE to get a discount.

smooth rose, Rosa blanda, Rocky Mountain National Park, CO

Stars over Long's Peak and Bear lake in Rocky Mountain National Park.

I hope you have found this information useful. Even more than that though, I hope this encourages you to get out and experience one of our national natural treasures, Rocky Mountain National Park! As always, for the most up to date, comprehensive park information, please visit the official NPS website for RMNP.

— Andrew


Ellen and I have hit the road full-time! Help us on our mission to inspire and educate everyone on the importance of getting outside by checking out my workshops and my prints, made #ontheroad in my mobile print studio. The revenue will help propel us further and further on this great adventure. Enrich yourself and others… and feel great about it too as you’re helping to ensure our wild lands are cherished and to keep the wild spirit of the American Dream alive. Our goal is to visit all 59 National Parks in 2-4 years. LEARN MORE ABOUT WHAT WE’RE DOING HERE



Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
TELLURIDE // LANDSCAPE + MOUNTAIN LIGHT // 2016 – SOLD OUT
TELLURIDE // LANDSCAPE + MOUNTAIN LIGHT (Trip 2) // 2016 – ONLY 3 SPOTS AVAILABLE
LOCAL + PRIVATE WORKSHOP// 2016 – AFFORDABLE RATES FOR ME TO COME TO YOU
BIG BEND // LANDSCAPE + NIGHT SKY // 2017 – MOST POPULAR! 7 SPOTS AVAILABLE
 
I’m excited to announce my “A Photographic Guide To Our National Parks” Ebooks:
 
See what’s NEW
 
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton | photographer // prints
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
Image Brief // Andrew R. Slaton
  
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2016
Standard