photography, travel, writing

A Crescendo, Part 2

02/18/22 – Our National Parks odyssey has shifted into a different kind of journey. Nearly 6 years ago we set off on an adventure to travel the country and see/ document all the national parks. Since then, 3 new parks have been created, 2 presidential changes, a 2 year (and still counting, in some states at least) pandemic raged, and in the midst, we found a new direction. We abandoned the goal of all the parks, though it is absolutely something we plan to revisit someday.

What the pandemic allowed us to realize in a very sobering way was that we were financially living on the edge. No money in savings, a fairly substantial pile of debt, living job to job, stressed constantly about how we were going to pay for this or that, and worst of all, no plan. It was exhausting.

Ellen and I dont care about being rich, we simply wanted to remove the burden of limited choices. So we made a decision together a little over one year ago to take control of our life. Take responsibility for our spending habits. Quit being victims of circumstance. And, as Ellen says, to work our lil hineys offand pay off every penny of debt we have.

Image © Andrew Slaton

Deep in Big Cypress preserve I found a gator hole that has become a favorite spot for me to fish and enjoy some much needed solitude, away from the crowds of south Florida. What I have observed over the years of visiting the Everglades ecosystem during the dry season is that the fish often get funneled into ever shrinking pools of water. If they are resourceful or lucky, they make it to a gator hole.

These small ponds stay deep year round and provide a perfect little habitat for fish, as well as myriad creatures. But for those who enjoy the freedom of roaming the vast waterways and floodplains of the glades in the bounty of the rainy season, eventually they will slowly get choked out of existence, as the water subsides day by day, hour by hour this time of year. It must be excruciating. The world begins to close in on them. Death does too.

Image © Andrew Slaton

Eventually they are literally sucking air, baking on their sides in the hot Florida sun.

When Covid hit, we realized we were swimming in the freedom of the road. Endless possibilities. No plan. It was magic, for a time. But what Ive foundagain and again, allowing myself to lose my way is sometimes the only way to find it.

Image © Andrew Slaton

03/24/22 – Im not backpackingI wish I was. Im sitting at the airport in Orlando waiting for a southwest flight to Tucson to pick up our new (to us) truck. A Hoss 2.0. Nothing super fancy, but we saved up and are paying cash. It feels momentous. Ive always had car loans. Like an annoying pet.

Last year we managed to get scrappy and pay off a huge chunk of the debt that was weighing us down so heavy. This year, we are still on track to change the trajectory of our lives within the next few years. Debt free, homeowners, continuing to live the life we love, on the road, this time with options.

Image © Andrew Slaton

Approaching the six year mark is exciting for us. Mostly to look back and reflect on the beautiful memories, to see how far weve come, and to renew our resolve. The road ahead is still long. And we plan to stay nomadic for several more years. But we now have a plan. Were not wandering aimless. And its working, at least for now. Good jobs continue rolling in and keeping us busy,focused. And beauty is always at our doorstep (literally). We found our little gator hole in a vast wilderness, during the driest of seasons. We could stay here through the worst of it.

Ive just recently started shooting for fun again. But I mix it in with time fishing. Both have the ability to fill up my soul. Fly Fishing is a lot like photography. It takes immense practice, patience, and perseverance. The payoff is never guaranteed. No matter how much preparation, planning and knowledge you employ, the angler, just like the photographer is at the mercy of nature. Sometimes the light just doesnt show up, and the fish just dont bite. But when either do, its all the magic you can hope to witness. Pure joy.

Image © Andrew Slaton

The gliding ghosts beneath the surface, taunting me to try my hand at enticing them to bite. Presenting the fly just so. Irresistible to the hungry or territorial specter in the shadows.

The apparitions of light, fleeting. Pastels and hues of delicate gradations of blue and pink. Sometimes orange. Clouds of immensity passing, revealing cracks, rays. Illuminating the beauty that surrounds us always, but in these moments, overwhelms the lens, and the witness behind it.

Im looking forward to being back in Wyoming in only a few weeks, roaming the mountains again in search of the most spectacular nooks and crannies rarely seen or photographedand of course, stalking those illusive, prized trout.

— Andrew

Thanks for visiting AndrewSlatonBlog.com

All images and content © ARS Media, LLC 2022

If you like the images and sentiment of the article, please consider joining me on one of several photography workshops in the Everglades and Big Cypress. For more info, please visit www.andrewslaton.com/workshops

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composition, education, photography, random thought, writing

PICTURE OF THE WEEK – MARCH 6, 2021

Background

So for quite a while I have admired Benjamin Everett. I mostly follow him on instagram for inspiration. He is a photographer, but more than that, he is an artist. He makes no bones about the fact that he digitally manipulates his images to achieve dreamy, otherworldly scenes. For the purist, set aside your expectations of what you think photography should be, and behold what is in the minds eye and skilled digital artistry of Everett. You will be enriched if you do.

Image © Benjamin Everett

Why I Think This Image Works (Color, Light, Subject, Moment, Emotion)

Maybe I am just naturally drawn to blue in general, but I love a cool toned image. It is also slightly desaturated, which is calming to the eyes. The light draws the eyes along the leading, wavy lines in the ice, growing lighter as they eventually reach the peak at center-right. The eye then moves to the upper left of the frame to linger on the gentle storm passing. It is reminiscent of the old romantic painters, like Albert Bierstadt. A characteristic of a Bierstadt, or any of the romantic painters of the day, was the trademark light vs. dark motif. Everett clearly evokes this sentiment, minus the settlers and natives that were common to the 19th century paintings. This is the dark and light of a desolate landscape devoid of the human presence.

Simplicity is Everetts forte. He is a master of distilling his scenes down to the most important visual elements, and this image is no different. Starkness. Coldness. However, I wouldn’t go so far as an emotional loneliness. The eyes are soon drawn to the blue sky with sunlit cumulus clouds in the distance, conveying a feeling of hope and warmth. The storm is nearly passed. All sweeping lines flow directly to warm rays of a sunnier day somewhere in the near future.

It is romantic, yet simple. Cold, yet hopeful. Stark, yet lovely.

Please, if you aren’t familiar with his work, go spend some time admiring the photographic artistry of Benjamin Everett.

I would love to hear your thoughts! Comment below to start a conversation about this image… do you like it? If so, why? If not, why not?

— Andrew


I had an idea a while ago to feature an image once a week by other photographers that I find interesting. In the effort to provide inspiration to myself by enjoying the work of others, I hope it will serve to inspire a wider audience as well. I will write a short bit about what I like about the image, and why I think it works.

You can expect a wide variety of photographic art, so not just landscapes and nature! I hope you find this as fun and enriching as I do.

Let me also offer an invitation… if you come across an image you would like me to see, and perhaps feature, please shoot me an email with the subject “Picture of the week.”


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composition, education, photography, random thought, writing

PICTURE OF THE WEEK – FEBRUARY 27, 2021

I had an idea a while ago to feature an image once a week by other photographers that I find interesting. In the effort to provide inspiration to myself by enjoying the work of others, I hope it will serve to inspire a wider audience as well. I will write a short bit about what I like about the image, and why I think it works.

You can expect a wide variety of photographic art, so not just landscapes and nature! I hope you find this as fun and enriching as I do.

Let me also offer an invitation… if you come across an image you would like me to see, and perhaps feature, please shoot me an email with the subject “Picture of the week.”

And now, to the first picture of the week…

Image © Ryan Dyar

Background

This lovely capture was created by a fantastic photographer I have admired and followed for years, Ryan Dyar. He is an accomplished landscape photographer with mastery of a post processing landscape style that is emerging as the new standard. But what I find truly sets him apart as a great photographer is his seemingly effortless mastery of composition. Knowing how difficult great landscape composition can be, I am certain he works hard to find his excellent arrangements.

This image of a pelican in flight is so different from what he usually produces, and I admire his exploration into unfamiliar territory.

Why I Think This Image Works (Color, Light, Subject, Moment, Emotion)

The soft light and tones are soothing and convey a sense of calm immediately. It is low contrast, but the pink/ orange complimenting the blue/ green seascape immediately grabs me. He allows the subject to dance to the middle of the frame, a usual no-no. But here it works because the subject makes direct eye contact with the viewer creating a feeling of connection and intimacy. There is also clear motion from the slow shutter speed showing us the path flown in from the top right of the frame. Another pleasing movement/ leading line in the image.

Henri Cartier-Bresson was considered the master of the decisive moment. That term has been described as a “split second that reveals the larger truth of a situation.“ This image for me captured that culmination of split seconds strung together to convey something deeper. A moment too early or late would not have had quite the impact. Now, one could argue with current technology, the art of the decisive moment is lost. Think “spray and pray.“ In Cartier-Bressons day of 8×10 cameras and single frame film holders, capturing that singular point in time had an element of supernatural patience to it. However, I would argue that the moment still exists, there are simply new tools and techniques to more easily capture them. It is no less artful. Its just different.

The slow shutter speed is utilized perfectly, as the birds head and eyes appear to be sharp, while allowing the motion of the flapping wings to blur, giving the viewer the feeling of flight. It is a lovely, and difficult moment to capture so elegantly, as Dyar has.

Lastly, how does this image make us, the viewer, feel? My immediate emotion is loneliness and melancholy, mostly from the muted color and low contrast of the gentle seascape, but also the direct eye contact. But then there is a lingering element of hope rising that seeps in, perhaps from the flight motion, and again the eye contact.

It is a simple yet complex image. I think that is what I admire the most.

It is no easy task to create an image like this! And often, these are the images that happen when one is prepared. They simply present themselves.

Now, I would love to hear your thoughts! Comment below to start a conversation about this image… do you like it? If so, why? If not, why not?

— Andrew


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GRAND TETON // FALL COLOR // LANDSCAPES + WILDLIFE
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TELLURIDE // FALL COLOR // LUXE LANDSCAPES
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national parks, photography, travel

PARK PEEK // GREAT BASIN

Late in 2017, we ventured west from Wyoming to see new territory. New to us, at least. First up, as we crossed the Utah/ Nevada state line was Great Basin National Park. A relatively small, and unknown Park, Great Basin is a gorgeously diverse gem.

The visitor is likely first captivated by 13,000+ ft. Wheeler Peak. It is impressive from every angle.

But this is not just a mountain park. It boasts sage brush foothills, a bristle cone pine forest, and caves.

We boondock camped in the adjacent BLM land, but the park itself has several camping options for both tent campers and RVers.

The bristlecone pine forest is beautiful and ancient. These trees are gnarly, but the oldest living organisms on the planet.

We visited in October, so the temps were quite cold at higher elevations.

Great Basin is a really nice place to get a glimpse into the diversity of landscapes, plants, and animals in the Great Basin region. It’s a quiet park, remote and little visited, but it’s not because it doesn’t warrant interest.

— Andrew

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Give the gift of beauty, travel, and knowledge… buy a gift card. Help a small business.
The Photographic Guide to Our National Parks” series of eBooks:
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Grand Teton National Park
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photography, wildlife

THE GREAT GRIZ AWAKENING

Just around this time of year, grizzly bears start to emerge from their winter hibernation in our little part of Wyoming.
I get so excited in the spring for this ritual of nature. My heart is breaking that I can’t be there yet, but we are hunkering down until the coronavirus outbreak calms down. So for now, I’ll reminisce over a few encounters from the last several years… I hope you enjoy!
Last year, I got to witness sow 793 with her two cubs. The cubs are both getting to the age where they are preparing to leave mama and venture out on their own. But there’s still important play and learning from mom that has to occur.
They follow her everywhere. But frequently break into play fights with each other when they get bored.
This was a large sow with two younger cubs that I found in Yellowstone several years back. She was gorgeous. And the cubs were so playful and curious.
It was a brief experience, as they moved out of sight only shortly after appearing near the road.
Then there is of course my favorite bear encounter of all time. The other many sightings of these incredible creatures are most often with dozens of other people. Usually on main park roads.
But this one, was just me and this young griz.
It was probably his first spring alone, judging by his relative small size.
I was driving down (what used to be) a little known, inner park dirt road one morning, when I spotted him digging in the wildflowers, looking for food. I slowly pulled up in my truck. He glanced over at me, took a sniff, and then got right back to business.
I likely watched him for around 30-45 minutes… just us. Toward the end of this magical experience, he got within 10 feet. Don’t worry, I was in my truck the whole time, and I never moved closer to him. He never really seemed bothered by my presence. 
Just before he moseyed off, he raised his head and allowed me to make a quick portrait.
I loved being able to capture the raw vulnerability of such a feared and powerful creature, out in his element, all by my lonesome. I will never forget any of my bear encounters, that’s for sure, but this one in particular, is one of my absolute most favorite moments of my entire life.
I don’t expect anything like it will ever happen again, but I pray that it will. 
— Andrew
P.S. Im in the initial stages of putting together a brown bear photography workshop in Finland for summer 2021. If you are interested, drop me a note so I can put you on the early notification list. More info here.

SPECIAL OFFER for my blog followers – 10% off everything by using code “BLOG10” at checkout
VIDEO TUTORIALS
Check out my free and paid video tutorials and learn from a 20+ year professional.
NEW WORKSHOPS

Learn photography and enjoy a guided travel adventure.
INTO THE WINDS // BACKPACKING + PHOTOGRAPHY ADVENTURE
BIG CYPRESS // OFF-THE-BEATEN PATH // LANDSCAPES + WILDLIFE
TELLURIDE // FALL COLOR // LUXE LANDSCAPES
GIFT CARDS
Give the gift of beauty, travel, and knowledge… buy a gift card. Help a small business.
The Photographic Guide to Our National Parks” series of eBooks:
Rocky Mountain National Park
Grand Teton National Park
PRINTS
Andrew Slaton // Limited Edition Prints
Andrew Slaton // Canvas + Metal Prints
STOCK
Tandem Stills + Motion // Andrew Slaton
ASSIGNMENTS
andrew@andrewslatonphoto.com
Thanks for visiting AndrewSlatonBlog.com
All images and content © ARS Media, LLC 2020
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