photography, travel, workshop

LOCATION FEATURE // THE WINDS

In 2005, I packed everything I owned into a Nissan Xterra and headed north, leaving Dallas, my home off and on for almost 25 years. Sure, I lived in Austin for 5, and a short stint in Telluride, CO, but Dallas was HOME, all caps. It was February 13.
The next day, Valentines Day, I arrived in the sleepy, frozen town of Pinedale, WY. The reason; a job as photojournalist for the local weekly newspaper. I had no idea, however, that it would utterly change my life in so many ways. But all of that is for a later post…
My first week, it reached -20ºF every day. Needless to say, not much going on outside, except for the occasional parade of moose clopping through town. Part of my job, aside from community journalism, was to get outside and engage in outdoor activities. I would shoot it, construct a story, and then write about it. This forced us to do something other than sit in the office, the bar, or in front of the TV. Well, needless to say, summer couldn’t come soon enough for us at the Pinedale Roundup.
Cue the Hallelujah Chorus. Summer did not disappoint. Though I did not work for the paper throughout that season, I remained in Pinedale. The draw, you might ask?
The Winds, of course.
Huh?
Sorry, the Wind River Range.
I developed an immediate infatuation. Maybe I should say obsession. Yeah, that seems more appropriate.
Every year since 2005, I returned at least once, sometimes twice or even three times. And over the last four years since we hit the road full time, I have spent more time in the Winds than I have anywhere else. By far. It’s now my home. Even if we only spend the summer and fall there… It’s only because we aren’t quite hearty enough to weather the brutal winter in our trailer.
The area encompasses 2.25 million acres, so although I have extensively explored it over the years, I feel as though I havn’t even begun to scratch the surface. I could easily spend the rest of my life walking those trails, and still never see it all, I suspect. None-the-less, I have made it my life’s work to become one of the few living experts on these mountains. I’m surely on my way.
So, what’s going to happen here is that I plan to open the faucet of images I have made over the joyful years of stepping into this incredible wilderness. During this time of quarantine and daily bad news, I simply hope to bring you (and myself) a little beauty and some memories of better times. I hope it helps, even if for a brief moment. Below are tons of images, and some stories I wanted to share as well.
Maybe just to remind us all of the good that there is out there. And perhaps it will help you hear the wind through the trees, the mountain songbirds, the mighty rushing creeks and the deafening quiet of the wide open wilderness. Maybe you’ll catch a whiff of the lodgepole pines and clean air. Listen for the cry of the eagle, the chirp of the marmot. These good things still exist.
And when all of this ends, I’d love for you to consider joining me out there. Amidst the unending beauty. Check out my newest workshop of backpacking and photography in the Winds.
  
Ellen and I developed an affinity for skinny dipping in these secluded, high mountain lakes during the summer of 2016, when we first hit the road. I dare any of you to tell me of anything more naturally exhilarating than jumping head-first into a 50ºF lake, with towering granite surrounding your fragile frame.
We’ve learned another simple joy these past few years with our wonderful pups; they love nothing more than bounding through open mountain meadows. Witness the pure ecstasy!
    
 
The night sky still elicits awe.
Let me be the first to tell you that hiking these mountains is not always romantic. It’s difficult as hell. Mosquito swarms, submerged trails, freezing temps, grizzlies and other critters of which to be mindful, high elevation and the problems to the human system that can arise from that. These mountains are for real, and quite unforgiving. But the beauty and solitude one can experience are worth every ache and pain.
  
Islay and me in Titcomb Basin…
Only one year later… and one more pup added to the pack, Skye.
More skinny dipping. Actually, this was our first time! Islay loved it from the get go. After a brief, breath-stealing swim, Ellen, Islay, and I sat on the shore in the sun eating cherries as the sun warmed and dried our frozen skin.
A mother moose and her littles (there’s another just out of frame). This is one of my favorite pastimes in this mountain range; it’s full of wildlife. I can spend hours just quietly watching wild animals live their best lives.

The fishing’s damn good too. Islay hasn’t figured out how to help just yet, but she’ll get there, no doubt. She tries.

Every year we spend up here, I find new places that leave my jaw on the ground. So many spots that I want to return to in the “good light” to capture something truly amazing. That’s the plan, Lord willing.

I always felt like this tree somehow belonged on the grounds near Hogwarts.

I’ve spent far too many nights (and it’s not even that many) tent camping in the winter in the Winds. Very little sleep occurs though. I highly recommend NOT doing this.

I truly hope you’ve had a nice little break from the “real world” going on all around us. If you ever need a break, I encourage you to come back and daydream for a bit of this lovely place of immense beauty. It’s what I do.

— Andrew
** There’s still time to get 25% off everything right now at andrewslaton.com! Help me continue to bring you inspiring and informative content.

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INTO THE WINDS // BACKPACKING + PHOTOGRAPHY ADVENTURE
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TELLURIDE // FALL COLOR // LUXE LANDSCAPES
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national parks, photography, travel

QUARANTINED IN APPALACHIA

With the Covid-19 global pandemic in full strength, our nomad dream has halted abruptly, just like everyone’s normal lives. The state of Florida closed down all of the state parks where we had reservations, so with no where to stay, we headed up to Chattanooga, TN to hole up with my brother and his family. There are much worse places to be.
It’s a beautiful area in Appalachia. Admittedly, we’re not getting out much. Great Smoky Mountains National Park is only 2 hours away, but is of course closed. So as we’re quarantined, I’m reminiscing about our spring trip to the Smokies back in 2018. Here are a few images from that month or two we explored the area.
  
  
  
Even though we can’t get out too much, I will still try to share the beauty of our wonderful world with all of you. I hope you all are safe and healthy… when we emerge on the other side of this, we will undoubtedly appreciate our wonderful parks and our freedom with fresh eyes and wearied hearts.
— Andrew

SPECIAL OFFER for my blog followers – 10% off everything by using code “BLOG10” at checkout
VIDEO TUTORIALS
Check out my free and paid video tutorials and learn from a 20+ year professional.
NEW WORKSHOPS

Learn photography and enjoy a guided travel adventure.
INTO THE WINDS // BACKPACKING + PHOTOGRAPHY ADVENTURE
BIG CYPRESS // OFF-THE-BEATEN PATH // LANDSCAPES + WILDLIFE
TELLURIDE // FALL COLOR // LUXE LANDSCAPES
GIFT CARDS
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The Photographic Guide to Our National Parks” series of eBooks:
Rocky Mountain National Park
Grand Teton National Park
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Andrew Slaton // Canvas + Metal Prints
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travel, workshop

PARK PEEK // OLYMPIC

We had the pleasure of visiting several new National Parks over the last several years that I never got around to sharing in the ol’ blogosphere. Shame on me! And one in particular stood out to me as one of the most photogenic and interesting; Olympic National Park in Washington.

Here’s a quick peek at what I found, and why I’ll be planning our return as soon as possible.

Only a few hours from the Seattle area, the first thing you’ll notice when you visit or research Olympic is how large it really is. It has no road that intersects, so in order to see its several distinct ecosystems, you’ll do a decent bit of driving around the entire Olympic Peninsula.

It encompasses nearly a million acres. Within that, you have mountains, rainforests, and dramatic coastlines.

We happened to be there just in time for the Rhododendron bloom, which is pretty spectacular.

One of my favorite things, dirt roads, are abundant around the park. Lots of places “off-the-beaten-path” to explore. And much of the Park runs adjacent to Olympic National Forest, so there are tons of recreation opportunities, including camping.

And every so often, if the conditions are favorable, you’ll get smacked in the face with a view of Mount Rainier, over 100 miles away.

The old-growth forests are spectacular and transport the visitor to another time. One can imagine the terrible and beautiful creatures that must have roamed this lush area.

The flora is the most impressive visual at this park, even though it does contain a surprising amount of animal inhabitants. Surprising only because of the dense populations of people surrounding this vast wilderness. But truly, the plant life reigns supreme here.

And then, there are the Olympics. Majestic and rugged mountains. Not particularly high, the tallest in the range is Mount Olympus, clocking in at just shy of 8,000 feet. However, the eastern slope of the range rises up from sea level at Puget Sound, so the mountains are still quite steep and impressive looking.

On the western slope, the Hoh Rainforest dominates. It is the wettest place in the lower 48, in fact. And because of this, it is the United State’s best glimpse into the temperate rainforest ecosystem.

Unfortunately, I only had a moment during the middle of the last day on the coastline for this trip, so more to come on our next visit. I didn’t get to explore that section as much as I’d like, nor did I come away with any jaw-dropping images, however, it was clear that this section would be just as fruitful and inspiring photographically and from a sight seeing perspective, as the other areas of the park.

The big takeaway for me was that this park demands time. A lot of it, if you really want to get a feel for the incredibly varied looks it will give you. It was my favorite of Washington State, and that’s saying a lot if you’ve ever been to Mount Rainier or North Cascades, both spectacular parks in their own right. Olympic National Park is a truly special place.

— Andrew
 

SPECIAL OFFER for my blog followers – 10% off everything by using code “BLOG10” at checkout
VIDEO TUTORIALS
Check out my free and paid video tutorials and learn from a 20+ year professional.
NEW WORKSHOPS

Learn photography and enjoy a guided travel adventure.
INTO THE WINDS // BACKPACKING + PHOTOGRAPHY ADVENTURE
BIG CYPRESS // OFF-THE-BEATEN PATH // LANDSCAPES + WILDLIFE
TELLURIDE // FALL COLOR // LUXE LANDSCAPES
GIFT CARDS
Give the gift of beauty, travel, and knowledge… buy a gift card. Help a small business.
The Photographic Guide to Our National Parks” series of eBooks:
Rocky Mountain National Park
Grand Teton National Park
PRINTS
Andrew Slaton // Limited Edition Prints
Andrew Slaton // Canvas + Metal Prints
STOCK
Tandem Stills + Motion // Andrew Slaton
ASSIGNMENTS
andrew@andrewslatonphoto.com
Thanks for visiting AndrewSlatonBlog.com
All images and content © ARS Media, LLC 2020
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national parks, photography, travel

PARK PEEK // THE EVERGLADES

The Florida Everglades is not just a National Park, it’s an entire ecosystem stretching from Lake Okeechobee all the way down into Florida Bay and the Keys. It’s an incredible swath of land comprised of both public and private, as well as Native American reservation land.

For photographer and nature lovers, it is a heavenly realm.

I am obviously both, and I will try to share a small picture of what the Everglades experience is like. This land, like any worth preserving, is wild, and not for the faint of heart. It is for explorers and adventurers. It is for the people who bend to nature, not the other way around.

If you approach the Everglades from later perspective, it will break you. And you will have a potentially awful experience. However, if your approach is the former, you will roll with all of the wonderful and terrible surprises she has to offer the outsider. Once you step into this landscape, you are immediately aware that you are, in fact, an outsider.

Its flora and fauna are ancient.

Landscape photographers will find it challenging and frustrating, but also ultimately unique and rewarding. It is where the sky and water unite, and weather creates chances for incredible drama. There are rivers of grass, reflective lakes, pine uplands, cypress bottomlands, brackish canals, and wide open salty bays.

The opportunities for detail and macro images are everywhere.

And the birds… Especially in winter, the amount and variety of birds is astonishing.

The Everglades is also home to the endangered American Crocodile, one of my favorites.

It is also home to one of the most storied wildlife comebacks in history, the American Alligator. Once hunted to near extinction, the species was added to the Endangered Species list in 1967. Now, just over 50 years later, alligators populations are estimated to number over 5 million in the wild. It is, perhaps, the US Endangered Species Act’s most successful project.

Throughout the history of south Florida’s urban development, much of the natural flow of water was impeded. It was not until recently that the importance of this area was truly realized. Today, there are massive efforts underway to restore much of what was damaged.

Thankfully, the beauty and mystery of the Everglades is on full display for visitors. There is much work to be done, but what does remain of this place, is enough to inspire the young and old alike to cherish it.

I love sharing this area so much, and it is so rich with photographic opportunities, that in January/ February/ March of 2021 I plan to have two Everglades and two Big Cypress workshops/ tours. As of now, dates are tentative, and registration is not yet open. However, if you would like more information, please email me to express your interest, and I will add you to the list of first notified.

–Andrew

If you enjoyed this article and found it helpful, consider joining me on the adventure of a lifetime to learn so much more. I offer workshops and tours in many of the worlds most incredible locations, and on these trips, you will get tons of one-on-one time to ask me anything. In fact, I’m offering $250 off my Big Bend Wildflowers + Stars workshop coming up in March, for a limited time. Let me help inspire you to become the artist you’ve always wanted to be! 


Ellen and I hit the road full-time in June of 2016. We are on a mission to inspire and educate everyone on the importance of getting outside. Check out my workshops and my prints. The revenue will help propel us further on this great adventure. Enrich yourself and others… and feel great about it too as you’re helping to ensure our public lands are cherished and to keep the wild spirit of the American Dream alive. Our goal is to visit all 60 National Parks in 3-5 years. We are currently in year 4 and half way thru the Parks. LEARN MORE ABOUT WHAT WE’RE DOING HERE


N O M A D  Magazine // Issue 1
Order your copy today and receive this 100 page full color travelgasm at your door!
Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
INTO THE WINDS // BACKPACKING + PHOTOGRAPHY ADVENTURE
GRAND TETON // FALL COLOR // LANDSCAPES + WILDLIFE
TELLURIDE // FALL COLOR // LUXE LANDSCAPES
I’m excited to announce The Photographic Guide to Our National Parks” series of eBooks:
Rocky Mountain National Park
Grand Teton National Park
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
Andrew Slaton // Limited Edition Prints
Andrew Slaton // Canvas + Metal Prints
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
Tandem Stills + Motion // Andrew Slaton 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
Thanks for visiting AndrewSlatonBlog.com!
All images and content © ARS Media, LLC 2020
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advanced, education, photography

SCOUTING IN THE EVERGLADES

By failing to prepare, you are preparing to fail.” ~ Benjamin Franklin

An often overlooked aspect of photography is the time and energy needed to focus on pre-production.

Pre-production is a term we use in commercial photography. It’s the time leading up to the actual day of the shoot that we spend in preparation to iron out all of the details, so that the shoot can run smoothly. It really is no different with travel and landscape/ nature photography… Perhaps just a little less involved and stressful.

So, for the initiated and uninitiated alike, I have several tips. The first and foremost is the importance of scouting.

From “boots on the ground” experience in years past, I knew this shot was possible, so this year I waited for the prime conditions and was rewarded.

Scouting involves time spent researching locations; utilizing the web, books, social media, and “boots on the ground.” So where to start? Well, let’s take an example location and walk through my process. How about the Everglades, since I’m currently looking at this amazing place outside my window!

Preparation, I have often said, is rightly two-thirds of any venture.” ~ Amelia Earhart

Knowing from research that this was an area in which I could get close access to american alligators from a low angle, I was placed in the right scenario to catch a dragonfly resting on this gators head.

When I first visited Everglades National Park as a naive college student back in 2000, I did almost no research. As a consequence, I had an amazing adventure, but came away with very few decent images (and really those few were only by chance). Any photographers worth their salt will tell you that scouting is one of the most important ways to improve consistency in outcome. Really, this principal applies to everything. Preparation is one of the most important keys to success in any endeavor.

Learning from research that dragonflies are plentiful in this part of south Florida, I envisioned this shot months before it materialized right in front of me.

There are several effective ways to scout. Some more effective than others. Here, I’ll run through my list of methods…

First, know how to read maps. More specifically, topographic maps. This seems to be a bit of a lost art these days. With GPS and Siri, many younger folks have lost the ability. Reading contours, elevation changes, and even directions are very important if you want to scout before you even reach the location. I always either purchase a physical map, or download the 7.5 min USGS topos for free to my phone via the Avenza Maps app before beginning the scouting process. Properly reading a top map will help you identify potential areas of interest before reaching a location. If you do not feel comfortable reading a map, I recommend this great video by REI.

I had an idea to show human/ wildlife relationships in the Everglades ecosystem. After chatting with a friend who had heard from a park ranger that this alligator was hanging around a popular lake for kayakers, I was given my opportunity.

Next, I scour the internet for images of the place to which I’m traveling. Google image search and social media (specifically Instagram) are excellent places to start. Search geo tags of your location to get ideas and to visualize what images you would like to capture on your trip. Now, be advised that this can take a little discernment on your part, as some people incorrectly tag images. However, it should give you a broad sense of what is possible, and it will help you to create your ever important shot list. You will likely find many stunning captures when researching, so make notes of the specific locations that catch your eye. This may take a bit of diving, as some images on the web are a bit more cryptic with the location info, and for good reason. Blogs tend to have a lot of good info, so that may be a likely place to start.

Before anything else, preparation is the key to success.” ~ Alexander Graham Bell

There are only a few places in the U.S. to see the endangered American Crocodile. Proper pre-production led me to this fruitful location to get close enough to nature the reptilian eye.

Many photographers though, myself included, have become a bit more tight lipped about specifics in recent years. This is because of the massive spike in travel, and more specifically, photo-tourism, causing locations that used to be quiet, clean, and cherished by professional photographers to become overrun, trashed, trampled, and disrespected by the masses seeking their “trophy shot.” Rest assured, if you point-blank ask a photographer where a particular image was taken, they will almost certainly ignore the inquiry. After a short stint of widely sharing location info broadly over the web, it appears as though we’re back to the age of investigation to find places. And I’ve come around to think that is a better way.

Checking out (at your local library), or buying books on your location is one of the old, time-tested ways of scouting as well. Purchasing is especially helpful if you want to take them with you and if you plan to visit these locations again and again. However, when I’m researching on the cheap, the public library is invaluable! There are several good guidebooks that are specifically oriented to photographers, like The Photographer’s Guide To The Everglades by M. Timothy O’Keefe, for example. There are several in this series, so unless you are planning to visit a very remote location, chances are you will find a suitable guide to give you some ideas.

Guidebooks and previous in person experience gave me the knowledge that purple gallinules can be observed closely on the anhinga trail. I wanted an overhead shot to show the incredible feet of this colorful bird.

The Photographer’s Ephemeris and Photopills are both excellent apps that will help you to figure out whether your specific shots will be best at sunrise or sunset. This is an important step in the research process, as it will insure the best use of your time once you arrive.

At this point, you should have enough specifics and general info to create an extensive shot list. I start with specifics, images that are in my head that I want to achieve first and foremost. Then I add more general shots that I’d like to achieve. Since I’m a pro, I’m also thinking through different ways to make money with my time, so I will often list stock shots, creative projects, video clips, etc. Here is an example of what that might look like to give you an idea. I recommend printing this out before leaving for your adventure, that way, if you think of other shots, you can easily manually add them with a pen or pencil. Also, there is still some scouting to be done once you arrive!

Now that your shot list is made, and you have arrived on location, scouting moves into the “boots on the ground” phase.

Success is where preparation and opportunity meet.” ~ Bobby Unser

Great blue herons can be surprisingly skittish. I knew I wanted a detail shot if the feathers which would require a closer shot even with a 400mm lens. I found the right location to make this shot through research.

Believe it or not, it’s a good idea to visit the gift shop (or tourist shops nearby) and scour the postcards/ posters/ prints for more inspiration and clues. This practice is often rewarding, if only for inspiration. But sometimes a location or image idea will present itself when you least expect it.

Now is the time to use your map reading skills and spend the midday hours exploring. Drive, kayak, walk, fly your drone (where legal) to get a first-hand look at these lovely places you’ve been researching from afar. Note the challenges they might pose so you can be prepared when you return for the good light. And don’t forget to take your camera along! I know it sounds dumb, but depending on where you are, some great photo opportunities may present themselves to you even in the midday hours.

I’ve shot this particular location several times, but always at sunrise. This year, I decided to hike in the midday hours around it to see what a sunset shot might yield. I was again rewarded for the scouting effort.

This article should give you a road map to prepare better for your photo excursions, whether you are a newer pro or a hobbyist. I can assure you that Implementing these strategies is guaranteed to increase your rate of success.

Just like with anything, success comes to the prepared!

–Andrew

Give me six hours to chop down a tree and I will spend the first four sharpening the axe.” ~ Abraham Lincoln


N O M A D  Magazine // Issue 1
Order your copy today and receive this 100 page full color travelgasm at your door!
Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
INTO THE WINDS // BACKPACKING + PHOTOGRAPHY ADVENTURE
GRAND TETON // FALL COLOR // LANDSCAPES + WILDLIFE
TELLURIDE // FALL COLOR // LUXE LANDSCAPES
I’m excited to announce The Photographic Guide to Our National Parks” series of eBooks:
Rocky Mountain National Park
Grand Teton National Park
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
Andrew Slaton // Limited Edition Prints
Andrew Slaton // Canvas + Metal Prints
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
Tandem Stills + Motion // Andrew Slaton 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
Thanks for visiting AndrewSlatonBlog.com!
All images and content © ARS Media, LLC 2020
 
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beginner, education, instructional, national parks, photography, travel, workshop

10 Comp Tips For Better Photos

As photographers, there is much that is out of our control; weather, wildlife, seasonal changes, road/ trail conditions, etc.

But one thing that we always have ultimate control over is our compositions. Just like a composer of music has the ability to manage the notes, tones, and rests of his/ her musical compositions, photographers have the responsibility of choosing what to include, what to leave out, and how the viewer will ultimately see and feel the final image.

Here are 10 major composition techniques that, if used properly, will make your photos drastically better, immediately.

1. THE RULE OF THIRDS

Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines. The rule of thirds says that you should position the most important elements in your scene along these lines, or at the points where they intersect.

Doing so will add balance and interest to your photo. Some cameras even offer an option to superimpose a rule of thirds grid over the LCD screen, making it even easier to use.

2. BALANCING ELEMENTS

Placing your main subject off-center, as with the rule of thirds, creates a more in- teresting photo, but it can leave a void in the scene which can make it feel empty. You should balance the “weight” of your subject by including another object of lesser importance to fill the space.

3. LEADING LINES

When we look at an image, our eye is naturally drawn along lines. Being thoughtful and intentional about how you place lines in your composition can dramatically affect the way the viewer sees the image. It can pull the viewer into the picture, towards the subject, or on a journey through the scene. There are many different types of leading lines – straight, diagonal, curvy, zigzag, radial etc – and each can be used to enhance our photo’s composition.

4. SYMETRY + PATTERNS

We are surrounded by symmetry and patterns, both natural and man-made. They can make for very eye-catching compositions, particularly in situations where they are not expected. Another great way to use them is to break the sym- metry or pattern in some way, introducing tension and a focal point to the scene.

5. VIEWPOINT/ PERSPECTIVE

Before photographing your subject, take time to think about from where you will shoot. Our viewpoint has a massive impact on the composition of our photo, and as a result it can greatly affect the message that the shot conveys. Rather than just shooting from eye level, consider photographing from high above, down at ground level, from the side, from the back, from a long way away, from very close up, and so on.

6. BACKGROUND

How many times have you taken what you thought would be a great shot, only to find that the final image lacks impact because the subject blends into a busy background? The human eye is excellent at distinguishing between different elements in a scene, whereas a camera has a tendency to flatten the foreground and background, and this can often ruin an otherwise great photo. Thankfully this problem is usually easy to overcome at the time of shooting – look around for a plain and unobtrusive background and compose your shot so that it doesn’t distract or detract from the subject. Silhouettes can be an incredibly valuable and striking way to do this well.

7. DEPTH

Because photography is a two-dimensional medium, we have to choose our composition carefully to conveys the sense of depth that was present in the actual scene. You can create depth in a photo by including objects in the foreground, middle ground and background. Another useful composition technique is overlapping, where you deliberately partially obscure one object with another. The human eye naturally recognizes these layers and mentally separates them out, creating an image with more depth.

8. FRAMING

The world is full of objects which make perfect natural frames, such as trees, archways and holes. By placing these around the edge of the composition you help to isolate the main subject from the outside world. The result is a more focused image which draws your eye naturally to the main point of interest.

9. CROPPING

Often a photo will lack impact because the main subject is so small it becomes lost among the clutter of its surroundings. By cropping tight around the subject you eliminate the background “noise”, ensuring the subject gets the viewer’s undivided attention.

10. EXPERIMENTATION

Composition in photography is far from a science, and as a result all of the “rules” above should be taken with a grain of salt. If they don’t work in your scene, ignore them; if you find a great composition that contradicts them, then go ahead and shoot it anyway. But they usually prove to be spot on, and are worth at least considering whenever you are out and about with your camera.

— Andrew


Ellen and I hit the road full-time in June of 2016. We are on a mission to inspire and educate everyone on the importance of getting outside. Check out my workshops and my prints, made #ontheroad in my mobile print studio. The revenue will help propel us further on this great adventure. Enrich yourself and others… and feel great about it too as you’re helping to ensure our public lands are cherished and to keep the wild spirit of the American Dream alive. Our goal is to visit all 59 National Parks in 3-5 years. LEARN MORE ABOUT WHAT WE’RE DOING HERE


Check out our new show, ONE WILD LIFE, and subscribe to our YouTube Channel! 


Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
REMOTE WYOMING // ADVENTURE + LANDSCAPE
TELLURIDE // FALL COLORS + LANDSCAPE
 
I’m excited to announce my “The Photographic Guide to Our National Parks” series of eBooks:
 
Rocky Mountain National Park
Grand Teton National Park
 
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton // prints from the road
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
  
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
All images and content © ARS Media, LLC 2018
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beginner, instructional, national parks, photography, travel, workshop

LIGHTROOM // BASIC WORKFLOW

Are you brand new to LightRoom Classic CC? Do you need some tips on how to create a more efficient workflow? Are you overwhelmed by your massive backlog of images?

Whether you are brand new to Adobe LightRoom, or you’re an old pro, my workflow tutorial will give you the basics and more so you can create your own efficient workflow.

Learn how to organize your images, create presets, cull, edit, and process in this 20 minute video.

For a limited time, I will have it on sale for only $9.99!

Click the image below for more info.

— Andrew


Ellen and I hit the road full-time in June of 2016. We are on a mission to inspire and educate everyone on the importance of getting outside. Check out my workshops and my prints, made #ontheroad in my mobile print studio. The revenue will help propel us further on this great adventure. Enrich yourself and others… and feel great about it too as you’re helping to ensure our public lands are cherished and to keep the wild spirit of the American Dream alive. Our goal is to visit all 59 National Parks in 3-5 years. LEARN MORE ABOUT WHAT WE’RE DOING HERE


Check out our new show, ONE WILD LIFE, and subscribe to our YouTube Channel! 


Want to learn photography and enjoy a guided experience? Check out my exciting, NEW workshop dates:
 
REMOTE WYOMING // ADVENTURE + LANDSCAPE
TELLURIDE // FALL COLORS + LANDSCAPE
 
I’m excited to announce my “The Photographic Guide to Our National Parks” series of eBooks:
 
Rocky Mountain National Park
Grand Teton National Park
 
If you are interested in purchasing a “print from the road”, please check my prints for sale, or email me directly for a custom request:
 
Andrew R. Slaton // prints from the road
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // Andrew R. Slaton
  
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
All images and content © ARS Media, LLC 2018
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