city, instructional, landscape, photography

The Dynamic Cityscape

Shooting cityscapes is not unlike photographing natural landscapes.

The main difference is that your city landscape has light elements not seen in nature.

This creates incredibly dynamic compositions.  But often, you must start a little earlier in the morning, or stay a bit later than you might in the wild.

While on assignment scouting shots for a client in my hometown of Dallas recently, I was reminded of this.

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Scouting is key… and don’t be afraid to show up really early, and stay later than you’d want.  Dinner may get cold, but the perfect balance in exposure of sky and city lights is a delicate matter.

Happy shooting!

~ andrew


 
Take your photography to a new level… check out my new workshop dates:
 
Grand Teton Photographic Tour/ Workshops 2014
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If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2014
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instructional, photography, workshop

Macro From Nothing

This technique can be used with most lenses, but please be careful not to scratch front element!

It’s always better to give yourself more control with an actual macro, but if you get in a bind, this may help.

— andrew

the amazing music is by Lucius
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If you are interested in learning more about photography, taking your art to a new level please check out my new workshop dates:
 
Grand Teton Photographic Tour/ Workshops 2014
More Destination Photo Tours/ Workshops 2014
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2014
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education, instructional, photography

Free Tip Tuesday // Panning

Some common questions…

How do you stop motion in your photograph?  A fast shutter speed.  How do you show motion?  A slow shutter speed.

Well then, you might be asking, how do you stop the action of your subject, but convey motion by allowing everything else to blur from the movement?

It is a simple technique called “panning”.

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For this image of a runner, I wanted to make her sharp but also imply speed and action.

To achieve the look I wanted, panning was a must.  So at 1/50 sec, and a flash at camera left, I panned with the subject as she ran past.

A flash is not always necessary, but in this case it was since I wanted to backlight the subject with the sun to give dimension.

With basic panning, he key is moving your camera at the same speed as (or panning with) your subject.  It can take a few practice runs to get it right.

But the results will add an interesting element to your photograph that draw in the viewer.

– andrew

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If you are interested in learning more about photography, taking your art to a new level please check out my new workshop dates:

Big Bend Photographic Tour/ Workshops 2013-2014

More Destination Photo Tours/ Workshops 2013-2014

If you are interested in licensing any of the images/ video from this post, please visit my stock agency:

Tandem Stills + Motion // andrew r. slaton

If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:

andrew r. slaton // photographer // prints

For assignment work requests, please email me: andrew@andrewslatonphoto.com

Thanks for visiting AndrewSlatonBlog.com!

all images and content © andrew r. slaton | photographer 2013

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education, instructional, photography, wildlife

One Shot Monday // A Primal Fear

If I had just one shot today to hold your attention, would this do it?

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This image can illicit a great deal of fear for a great many people.  The Eastern Diamondback Rattlesnake is a fierce creature, and the largest venomous snake in North America.

Poised and ready to strike, this snake tastes the air with a forked tongue and collects heat signature data through its pits, just below the eyes.

Though frightening to most that cross it’s path, the pit viper is a very important part of the Everglades ecosystem.

Snakes help control the rodent and invertebrate population, as well as providing a great food source for other animals, like birds and alligators.

They are fantastically beautiful and amazing creatures!  And believe it or not, I’m thankful for this chance encounter…

– andrew

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If you are interested in learning more about photography, taking your art to a new level please check out my new workshop dates:

Big Bend Photographic Tour/ Workshops 2013-2014

More Destination Photo Tours/ Workshops 2013-2014

If you are interested in licensing any of the images/ video from this post, please visit my stock agency:

Tandem Stills + Motion // andrew r. slaton

If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:

andrew r. slaton // photographer // prints

For assignment work requests, please email me: andrew@andrewslatonphoto.com

Thanks for visiting AndrewSlatonBlog.com!

all images and content © andrew r. slaton | photographer 2013

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equipment review, instructional, photography, travel, writing

planning an epic road trip // equipped

“The single most important component of a camera is the twelve inches behind it.”
Ansel Adams
 

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Equipment

It cannot be said enough… the equipment is only as good as the photographer using it.  With that said, I am a lover of gadgetry and get really excited when I have the opportunity to learn a new tool that will help me achieve better, more consistent results with my imagery.

So for this trip, Canon is sending me the 5D MK III, TS-E 17mm, and the new Speedlite 600EX-RT to evaluate and review here on the blog…

I know the MK III is not very new anymore, but I’m excited to put it to the test in one of North America’s most extreme environments.  And I am really looking forward to spending some quality time  with Canon’s widest and highest rated tilt-shift lens, and the newest Speedlite technology.  

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But regarding other equipment, and being prepared for a trip such as this, I have had to plan accordingly, with weather as the biggest “x” factor.

From dry bags and applying scotch guard to as much as possible, to purchasing mosquito netting for my head, I have tried my best to think it all through.  I will be bringing multiple rain covers no doubt.

Check out this video that explains a bit more, and see some of the gear that will (hopefully) get me through the extreme conditions…

“Never forget that all the great photographs in history were made with more primitive camera equipment than you currently own.”
Brooks Jensen

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To know what equipment to bring and what to leave behind, I think carefully through my shot list.  What tools will I need to give myself the best chance to achieve each image?  Only experience helps me determine that with any accuracy.  And the more you shoot, the more confident you’ll be when practicing this.

It’s a very obvious, yet important part of the planning process.  There’s nothing worse than arriving on location after days of driving, only to realize you so wish you had brought that second tripod, or the 2x extender.

Don’t rush through this step, or chances are, you’ll be frustrated later…

— andrew

“There is nothing worse than a sharp image of a fuzzy concept.”
Ansel Adams

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If you are interested in learning more about photography, taking your art to a new level, and/ or Big Bend photography tours and workshops, please check out my new workshop dates:

Big Bend Photographic Tour/ Workshops 2013-2014

More Destination Photo Tours/ Workshops 2013-2014

If you are interested in licensing any of the images/ video from this post, please visit my stock agency:

Tandem Stills + Motion // andrew r. slaton

If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:

andrew r. slaton // photographer // prints

For assignment work requests, please email me: andrew@andrewslatonphoto.com

Thanks for visiting AndrewSlatonBlog.com!

all images and content © andrew r. slaton | photographer 2013

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instructional, landscape, nature, photography, travel, writing

planning an epic road trip // the plan

“To achieve great things, two things are needed; a plan, and not quite enough time.”
Leonard Bernstein

Once I’ve made a decision on the destination, the real planning begins…

I chose my route to maximize productivity, making sure I touch all the spots along the way that can yield the images I need.  Below is a visual example of the route I charted for my Everglades trip.

It’s important to note, however, that this initial route often changes and flexes as I move into the next phase of planning… research.

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Research

The first three items it’s typical for me to purchase are: a good map (I like the Nat Geo Trails Illustrated maps), a Falcon trail guide, and lately (though it looks cheesy), I’ve found “The Photographer’s Guide To…” series to be very helpful.  Though I do not use much of the photography advice in the last book, it has very specific location tips and times of day/ year information that can prove valuable to you,especially if it’s your first time in an area.  Think of it as the “Dummies Guide” to a place specifically for photography.

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Another great (and free) resource is the good ol’ internet.  In this case, it was a no-brainer to go to the National Parks Service official website for the Everglades.  I found it especially useful for answering many common questions.  But it also linked me to informational videos and outside resources that began to change the course of my trip.

Despite the poor acting and shooting (sorry NPS, no offense), I was really impressed with the amount of information I could take in from these short webisodes created by the Park Rangers at the Everglades… http://www.youtube.com/user/EvergladesNPS.  It provided me the info I needed to begin to plan in more detail.  It also led me to decide to venture into the backcountry via canoe, which I hadn’t considered before.

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All this research can lead you to several helpful conclusions in the planning phase:  it will keep raising your excitement level (as if it could get any higher!), the information will better equip and prepare you for success on your trip, and it will begin in your mind’s eye the visualization process.  By this, I mean, the concept of previsualization that Ansel Adams defined as “the ability to anticipate a finished image before making the exposure”.  And to help myself along in the exercise of previsualization, creating a proper “shot list” is my next step after research.  In general, Adams was referring to previsualizing a final image while in the field, with the elements of the shot right in front of you, but I strongly believe the creative process starts when planning.

The Art of the Shot List

After all that reading and online researching, so many images will already be swirling around my head.  The infinite possibilities of perfect images.  Those creative juices are fantastic and often drive my plan, but we also need to be realistic.  You cannot be omnipresent nor can you control the elements, so a certain degree of planning and preparation should be considered.  As a fellow photographer/ blogger, Michael J. Flaherty stated recently, “Do not try to be strict about your plan.  You either chase the light, adjusting meal times, losing sleep, etc. or you miss the light.  It’s that simple.”

First things first; choose your locations, illustrations, and desired flora/ fauna.

What do I mean by all of that?  Well, since you’ve done your research, the books you’ve read and websites visited, you should have a great idea of what specific locations and important plants and animals you want to photograph.  And by illustrations, I simply mean, what’s your creative vision?  What images do you want to capture that might be outside of the normal realm of stock footage?

For example, I knew that I would be reviewing some gear on my RMNP trip, so I added a few self portraits using that gear in the field to my shot list.  I also added “art landscapes” to the list.  My style is more artistic typically than the traditional “postcard” images.  So although my stock agency prefers the traditional images (because they sell consistently), I wanted to be sure to exercise my creativity too and be true to my style.

So all that to say, be thorough with your shot list.  On that same trip, I added “iconic summer elk silhouette”.  Kind of specific, huh?  Well, I knew exactly what I wanted, and because of that, when the opportunity presented itself…. I was ready.

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Don’t be afraid to set the bar high.  Just be realistic with your expectations.

Your shot list will be somewhat general to start.  But it will gather momentum and specificity as you go…

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If I come away with 70% of the photographs on this shot list, I will be very happy.

The fact is, the more planning and research you do, the more prepared you’ll be.  But just as the weather changes at a moment’s notice, so too will your well made plans.

–andrew

“Expect the best, plan for the worst, and prepare to be surprised.”
Denis Waitley

“You must plan to be spontaneous.”
David Hockney

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If you are interested in learning more about photography, taking your art to a new level, and/ or Big Bend photography tours and workshops, please check out my new workshop dates:

Big Bend Photographic Tour/ Workshops 2013-2014

More Destination Photo Tours/ Workshops 2013-2014

If you are interested in licensing any of the images/ video from this post, please visit my stock agency:

Tandem Stills + Motion // andrew r. slaton

If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:

andrew r. slaton // photographer // prints

For assignment work requests, please email me: andrew@andrewslatonphoto.com

Thanks for visiting AndrewSlatonBlog.com!

all images and content © andrew r. slaton | photographer 2013

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