digital darkroom, instructional, photography, workshop

Remastering An Old Favorite // Lightroom Tutorial

I’d like to think my style has changed… become more refined over the years.  So I wanted to show how I process my images now.

And what better way than working with an old favorite that needed a little “remastering”?

I hope this Adobe Lightroom 5 tutorial is helpful… please feel free to let me know in the comments, and tell me what else you’d like to see.

~ andrew


 
Take your photography to a new level… check out my new workshop dates:
 
Grand Teton Photographic Tour/ Workshops 2014
More Destination Photo Tours/ Workshops 2014
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2014
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photography, random thought

Top 10 Photography Gadgets

Your camera and lenses are the most important tools in your bag.  Hands down.  But there are so many more helpful instruments out there, that sometimes choosing what to pack and what to leave behind is overwhelming.  Here are my top ten, don’t leave home without them!

10.  Filter Holder

Filters help us achieve the look and feel we want in camera.  I hear the excuse all the time, “Why use that when you have photoshop?”  But to put it bluntly, getting it right in camera the first time is where we get the latitude and quality that makes professionals stand out from the amateurs.  Though I often handhold my 4×6″ ND filters, my Cokin Z Pro Series Filter Holder allows me to hold my filters (up to 3 at a time) in one consistent place, making it easier and more accurate to shoot long exposures and time lapses.  The downside though, is at super wide focal lengths, the edges of the holder are visible in the frame.

9.  Velcro… Yeah, You Heard Me… Velcro.

How did people live without velco??  On most trips I carry a 15ft roll of the stuff.  “Why?”, you may ask.  Well, I can tell you many uses, but I seem to find more on nearly every trip!  Right now I use Scotch Self-Stick Reclosable Fasteners on my tripod legs to fasten my intervalometer and cable releases.  When shooting long exposures and time lapses, you don’t want them flapping around in the wind messing up your shot.  I also use it on my pocket wizards to fix them to whatever I need; the power packs, stands, flashes, etc.  There are so many uses, I could hardly name them all…

8.  Filter Pouch

My Lowepro S&F Filter Pouch 100 allows me to keep all of my filters in one place, where I can access them conveniently.  It clips around the neck of a tripod, and can hold several circulars, 150mm x 100mm NDs, and even a filter holder.

 

7.  Multi-tool

It’s hard to argue this one.  I can’t tell you how many times I’ve had emergencies where I’ve had to tighten crews on my lens in the field, or cut something, use my players to fix a wayward piece of metal, etc.  No matter where you are or what you’re shooting, you’ll thank me if you take your multitool, I promise.  And I recommend the Leatherman Wave.  It has just about any and every tool you would ever need in the field to fix any problem… you could even field dress a deer with it.

6.  Small Stand

The Manfrotto 5001B 74-Inch Nano Stand fits in a standard size suitcase.  When space and weight are a premium and I’m traveling around the world, this little bad boy gets packed first.  It folds down to less than 20 in, and can easily support speedlights and boom mics.  When full size stands won’t do, this compact solution will save the day for you.

5.  Geared Tripod Head

It’s an obvious and necessary accessory… a good tripod head.  But recently I’ve been introduced to the Manfrotto 410 Geared Head.  It was love at first use for me.  It’s heavy and meaty, which I love for it’s stability when shooting long exposures.  Now I’ll admit, it’s not the best for mobility with video, but I rarely shoot anything but handheld or static shots anyway in video.  Its precise controls, and super fast yet secure quick-release plate keep me loyal.  It’s perfect for landscape, long exposures,  and architecture… the majority of my work.

4.  2X Tele

A good 2X teleconverter is a must for nature shooters.  It’s all fine and good to have your 500 or 600 f/4, but let’s face it, they are beasts.  And sometimes a 5 or 600 isn’t even enough.  A good 2X like the Canon EF 2X III Extender will give you what you need with minimal image degradation.  I often use it just in conjunction with my 70-200/2.8 so I can have a 400mm reach without the bulk of a prime, when hiking or backpacking.  It’s not better than good prime glass, but it’s a supremely valuable tool when space and weight are a premium.

3.  PocketWizards

If you shoot portraits, these are a must.  Whether you’re using strobes or speedlights, PocketWizard Plus III Transceivers are the best solution to consistency and stability in communication between your camera and lights.  But something that most folks don’t know about these little magic machines… you can also remotely trigger your camera.  It comes in really handy for wildlife and sports photography.  They run on two AA batteries, and they’re quite small, so you don’t have to worry about them taking up valuable space in your bag.

2.  Intervalometer

I really don’t know how I lived without this for so long.  Seriously.  My work was so much more difficult and time-consuming without the Canon TC-80N3.  It will control long exposures and time-lapses like a boss.  You can tell it exactly how many frames at what intervals… I mean.  Remember the days of the cable release with your 35, medium, or large format camera?  Yeah, this totally kicks their butts.  And what it does most valuably for me, is that it allows me to get a little shuteye when I’m shooting star pictures and night time-lapses.  I really cannot say enough about this genius, little gadget.

1.  Graduated ND Filters

Again, it’s only been the last few years since I’ve really seen the necessity of my Singh Ray Graduated Neutral Density filters.  I’ve already talked about “getting it right in camera”…. well, this is how you achieve that.  Have you ever been shooting a scene and not been able to balance the amazing sky with your perfectly composed landscape?  Well sometimes these shots would be impossible without grad and reverse grad nds.  There is no Lightroom or Photoshop equivalent, though one can achieve decent results in post.  You really can’t argue the difference in quality once you start using the appropriate filters.  And it opens your ability to convey the emotion and drama you envisioned for your image without it looking too “photoshopped”.  Now don’t get me wrong, there’s nothing wrong with Lightroom and Photoshop, I use both everyday for very single image I shoot.  What I want to do though as I grow as an imaging professional, is to minimize the distraction to my viewers.  I want them to get lost in the fantastic beauty of my image… and I don’t want them seeing the tell-tale signs of having to use Photoshop salvage an image.

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The fact is… there are so many wonderful little gadgets that help us take our images to new heights of creativity.  I would love to hear which I’ve left off the list that are true must haves.  I know there are plenty out there with which I am not yet familiar.  Thanks in advance!

— andrew


 
Take your photography to a new level… check out my new workshop dates:
 
Grand Teton Photographic Tour/ Workshops 2014
More Destination Photo Tours/ Workshops 2014
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2014
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art, photography

Buy Local // BUY ART

The “buy local” movement has gained considerable momentum in the last few years.  And there are many great reasons to support your local economy.

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But I’d like to see a movement in the art community to encourage people to buy local art specifically.

As the Christmas and holiday seasons approach, artists could begin promoting the idea that locally produced art is the perfect gift.  Because it is.  Where would be as a society without art?  Music, painting, sculpture, theatre, film, photography, culinary art, fashion, architecture, etc.  It’s a seriously sad prospect to consider.  So we as creatives have to find a way to continue living and producing.  And that involves the very important roll of the art patrons.  The art consumers and appreciators.  Everyone, no matter how cynical, is an appreciator of art.

So how do we as producers turn the casual appreciators into patrons?

I think one way is for us to encourage patronage of art in general.  When the population becomes great appreciators and consumers of art, we all benefit.  And it starts in our local communities.  That’s not to say that buying art around the country or around the world is bad.  I frequently sell around the U.S. and internationally, but it should all start at home.  Appreciating and buying art locally = a broader base of more informed consumers/ patrons.

We as artists should be supporting and promoting each other’s artwork.

Let’s start a movement.

Let’s help the arts everywhere by buying local.  Buying art.

~ andrew

BLBA-2


 
Take your photography to a new level… check out my new workshop dates:
 
Grand Teton Photographic Tour/ Workshops 2014
More Destination Photo Tours/ Workshops 2014
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2014
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photography, portraits, travel

Travel Portraiture // It’s All About The Light

It’s not so easy to travel with heavy, bulky strobes.  But sometimes, it’s an absolute must.  And if that’s the case, I would recommend the battery powered Profoto D1 or 7b systems.  If you’re like me though, and have an A/C power system, strobes aren’t even an option when traveling to remote locales like my most recent job in South Sudan.

So what do I do to get those dramatic and compelling portraits that I have in mind before I ever step on the plane?  Well, in short… you work with what you’ve got.

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So what does that mean?

The first, and most obvious answer is an off camera flash, like my Canon Speedlite 580EX II on a small stand, triggered by PocketWizard Plus III.  When I want drama, that is usually my “go to” set up.  Here are a few field  examples with that system, including the shot above…

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So what are the pros and cons?  Well, the pros are that it is a very light weight, quick set-up, cost-effective solution to the problem of poor/ low lighting.  It can certainly take a little practice before hand to understand the power and ambient relationships you’ll need to achieve the look you want.  But it’s very effective.

The downsides are that you don’t get as much power as strobes, so it can be tough to overpower the ambient when outside on a sunny day.  Also, the quality of the light you get from most speedlights is not as rich as strobes.  It can be harsh and cooler looking.  But there are several ways to counteract this with light modifiers like small softboxes, grids/ honeycombs, and gels.  I recommend playing around with all of these options before your trip in various ambient scenarios to see what you like and don’t like.

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In the absence of our comforting strobes, it’s also a good time to get reacquainted with our old friend, available light.

It’s funny how we can rely sometimes on the trends and tricks of the trade, but when it comes down to it, for many of us at least, our first love is working with the light we’re given… not creating our own.  So on these trips I try to reconnect (when the situation calls for it) my eye to identifying my best available light.

Often times it’s the soft, indirect sunlight from a doorway or window.

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And other times, it’s the soft, diffused light of an overcast sky.

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But don’t get discouraged when the light just doesn’t appear any good at all.  It’s always a motivating excuse to get creative… and perhaps make a compelling silhouette portrait.  It’s amazing how much can be said with a completely shadowed subject.

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The point is to keep seeing and creating in new ways.  Push yourself beyond your comfort level, and make the most beautiful portrait you can with what you have.  This last one was the ugliest, hottest middle of the day (near the equator) kind of light you could get.  But her smile, her eyes, and the colors she wore compelled me to photograph her in this wrap-around light, and not worry about blowing out the background.  It was beautiful light to me.

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So keep shooting and exploring.  And don’t let your long-held notions about good light and bad light cause you to stumble.  Let it instead challenge your creativity to see that all light is good light… you just have to find out how to use it!

Happy shooting…

— andrew


 
Come learn light with me… check out my new workshop dates:
 
Grand Teton Photographic Tour/ Workshops 2014
More Destination Photo Tours/ Workshops 2014
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2014

 

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photography, travel

Telluride Photo Fest // Preview

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I have had the pleasure of spending much time in the incomparably beautiful Telluride, Colorado.  But never in the Fall.  So the fact that I’ll be attending the 2014 Telluride Photography Festival in October has me really excited.

With Joel Sartore, Barbara Davidson, Aaron Huey, Ian Shive, and Jennifer Wu as the lineup of speakers, a lot of photography wisdom will be at the helm, ready to be gleaned.  And I’ll be ready.  In the past, I didn’t follow many photographers… But Joel has been on my radar since I was very young in my work, because of the amazing stories he has shot for Nat Geo.

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There are workshops, seminars, panel discussions, a photo contest, portfolio reviews, and all of the other usual convention perks.  Not to mention the opportunities to network with industry professionals and other great photographers.

But perhaps what I’m still looking forward to the most, is the fall colors.  I can’t believe that in the last 18 years of frequenting the town of Telluride, I have never personally seen the amazing explosion of color that is Autumn in the southern San Juans of the Rockies.

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If you have a chance to make it this year, please drop me a line, I would love to get out there with all of you and shoot some of the spectacular vistas of the surrounding area!

~ andrew

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Take your photography to a new level… check out my new workshop dates:
 
Grand Teton Photographic Tour/ Workshops 2014
More Destination Photo Tours/ Workshops 2014
 
If you are interested in licensing any of the images/ video from this post, please visit my stock agency:
 
Tandem Stills + Motion // andrew r. slaton
 
If you are interested in purchasing prints from this post, please check my prints for sale, or email me directly for a custom request:
 
andrew r. slaton // photographer // prints
 
For assignment work requests, please email me: andrew@andrewslatonphoto.com
 
Thanks for visiting AndrewSlatonBlog.com!
 
all images and content © ARS Media, LLC 2014
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