10 Comp Tips For Better Photos
As photographers, there is much that is out of our control; weather, wildlife, seasonal changes, road/ trail conditions, etc.
But one thing that we always have ultimate control over is our compositions. Just like a composer of music has the ability to manage the notes, tones, and rests of his/ her musical compositions, photographers have the responsibility of choosing what to include, what to leave out, and how the viewer will ultimately see and feel the final image.
Here are 10 major composition techniques that, if used properly, will make your photos drastically better, immediately.
1. THE RULE OF THIRDS
Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines. The rule of thirds says that you should position the most important elements in your scene along these lines, or at the points where they intersect.
Doing so will add balance and interest to your photo. Some cameras even offer an option to superimpose a rule of thirds grid over the LCD screen, making it even easier to use.
2. BALANCING ELEMENTS
3. LEADING LINES
When we look at an image, our eye is naturally drawn along lines. Being thoughtful and intentional about how you place lines in your composition can dramatically affect the way the viewer sees the image. It can pull the viewer into the picture, towards the subject, or on a journey through the scene. There are many different types of leading lines – straight, diagonal, curvy, zigzag, radial etc – and each can be used to enhance our photo’s composition.
4. SYMETRY + PATTERNS
We are surrounded by symmetry and patterns, both natural and man-made. They can make for very eye-catching compositions, particularly in situations where they are not expected. Another great way to use them is to break the sym- metry or pattern in some way, introducing tension and a focal point to the scene.
5. VIEWPOINT/ PERSPECTIVE
Before photographing your subject, take time to think about from where you will shoot. Our viewpoint has a massive impact on the composition of our photo, and as a result it can greatly affect the message that the shot conveys. Rather than just shooting from eye level, consider photographing from high above, down at ground level, from the side, from the back, from a long way away, from very close up, and so on.
How many times have you taken what you thought would be a great shot, only to find that the final image lacks impact because the subject blends into a busy background? The human eye is excellent at distinguishing between different elements in a scene, whereas a camera has a tendency to flatten the foreground and background, and this can often ruin an otherwise great photo. Thankfully this problem is usually easy to overcome at the time of shooting – look around for a plain and unobtrusive background and compose your shot so that it doesn’t distract or detract from the subject. Silhouettes can be an incredibly valuable and striking way to do this well.
Because photography is a two-dimensional medium, we have to choose our composition carefully to conveys the sense of depth that was present in the actual scene. You can create depth in a photo by including objects in the foreground, middle ground and background. Another useful composition technique is overlapping, where you deliberately partially obscure one object with another. The human eye naturally recognizes these layers and mentally separates them out, creating an image with more depth.
The world is full of objects which make perfect natural frames, such as trees, archways and holes. By placing these around the edge of the composition you help to isolate the main subject from the outside world. The result is a more focused image which draws your eye naturally to the main point of interest.
Composition in photography is far from a science, and as a result all of the “rules” above should be taken with a grain of salt. If they don’t work in your scene, ignore them; if you find a great composition that contradicts them, then go ahead and shoot it anyway. But they usually prove to be spot on, and are worth at least considering whenever you are out and about with your camera.
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