family, photography, random thought, writing

post spring-chicken fashion

my friend, Amy, works at an upscale retirement home as an event coordinator.  she loves her job.

i’ve always been fond of wiser folks than myself (which happens to include approximately 87% of the general world population), so naturally those whom have double, triple, or even quadruple as many years as i do often capture my attention.

so when Amy asked me to come shoot her “annual senior fashion show”, i saw a great opportunity.

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the faces lacked no character.  their hearts were still warm and beating.  and their dignity seemed larger than mine.  i guess it grows with age.

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they really enjoyed themselves, but they weren’t aloof to the fact that there was an element of novelty to those of us younger folks in the audience.  and i don’t think they cared.  they know what it’s like to be young and ignorant.  they’ve earned confidence and self assurance.

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surprise, surprise.  so i got a little sentimental and reflective at the old-folks home.

my last-remaining biological grandmother passed away two weeks ago, and though it was expected and in many ways a blessing, it’s sad see another sojourner leave us.  but the flip-side of that is that she made the summit.  and it makes me happy to know that she had a pretty good time doing so.

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so i left the retirement community with a full cup.  and i get the feeling that we are missing out on something that you can only learn when you’re time’s almost up.  unfortunately, and fortunately, i don’t know what that is.

i think i’ll try to hang around the elderly a little bit more, and maybe they’ll give me a heads-up.

all images © andrew r. slaton | photographer 2008

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music

losing haringey

the clientele has a song called, “losing haringey”, and it’s haunting and beautiful.  it also deals with the travel theme, and the idea of “home”… so i found it mildly relevant for this blog.  

i’m not a huge fan of this band, but this particular song really grabs me.  it’s another nostalgic-feeling, emotive composition, but this one is spoken word, and interestingly the instrumentation is upbeat and eerie at the same time.  i wish i could explain, but i can’t.  so here is the beautiful prose.  i find it a worthwhile listen or read…

 

listen here

 

“In those days, there was a kind of fever that pushed me out of the front door, into the pale, exhaust-fumed park by Broadwater Farm or the grubby road that eventually leads to Enfield: turkish supermarket after chicken restaurant after spare car part shop. Everything in my life felt like it was coming to a mysterious close: I could hardly walk to the end of a street without feeling there was no way to go except back. The dates I’d had that summer had come to nothing, my job was a dead end and the rent cheque was killing me a little more each month. It seemed unlikely that anything could hold much longer. The only question left to ask was what would happen after everything familiar collapsed, but for now the summer stretched between me and that moment.

It was ferociously hot, and the air quality became so bad that by the evening the noise of nearby trains stuttered in in fits and starts, distorted through the shifting air. As I lay in the cool of my room, I could hear my neighbours discussing the world cup and opening beers in their gardens. On the other side, someone was singing an Arabic prayer through the thin wall. I had no money for the pub so I decided to go for a walk.

I found myself wandering aimlessly to the west, past the terrace of chip and kebab shops and laundrettes near the tube station. I crossed the street, and headed into virgin territory – I had never been this way before. Gravel-dashed houses alternated with square 60s offices, and the wide pavements undulated with cracks and litter. I walked and walked, because there was nothing else for me to do, and by degrees the light began to fade.

The mouth of an avenue led me to the verge of a long, greasy A-road that rose up in the far distance, with symmetrical terraces falling steeply down then up again from a distant railway station. There were four benches to my right, interspersed with those strange bushes that grow in the area, whose blossoms are so pale yellow they seem translucent, almost spectral; and suddenly tired, I sat down. I held my head in my hands, feeling like shit, but a sudden breeze escaped from the terraces and for a moment I lost my thoughts in its unexpected coolness. I looked up and I realised I was sitting in a photograph.

I remembered clearly: this photograph was taken by my mother in 1982, outside our front garden in Hampshire. It was slightly underexposed. I was still sitting on the bench, but the colours and the planes of the road and horizon had become the photo. If I looked hard, I could see the lines of the window ledge in the original photograph were now composed by a tree branch and the silhouetted edge of a grass verge. The sheen of the flash on the window was replicated by bonfire smoke drifting infinitesimally slowly from behind a fence. My sister’s face had been dimly visible behind the window, and –yes- there were pale stars far off to the west that traced out the lines of a toddler’s eyes and mouth.

When I look back at this there’s nothing to grasp, no starting point. I was inside an underexposed photo from 1982 but I was also sitting on a bench in Haringey.

Strongest of all was the feeling of 1982-ness: dizzy, illogical, as if none of the intervening disasters and wrong turns had happened yet. I felt guilty, and inconsolably sad. I felt the instinctive tug back – to school, the memory of shopping malls, cooking, driving in my mother’s car. All gone, gone forever.

I just sat there for a while. I was so tired that I didn’t bother trying to work out what was going on. I was happy just to sit in the photo while it lasted, which wasn’t for long anyway: the light faded, the wind caught the smoke, the stars dimmed under the glare of the streetlamps. I got up and walked away from the squat little benches and an oncoming gang of kids.

A bus was rumbling to my rescue down the hill, with a great big “via Alexandra Palace” on its front, and I realised I did want a drink after all.”

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photography, random thought

cool shoes

so, Anne and i walked the lake the other day and got some interesting shots of her shoes.  we’re hoping to sell them to sketchers, but so far, no dice…

i can’t afford Anne’s exorbitant foot modeling fees, so i’m really hoping to get the trendy footwear brand on board quickly.

she shot some really nice images, so i thought i’d post them as well.  apparently, i wasn’t a good enough model however to make it into any of the shots.  oh well, i don’t have blue steel perfected just yet.

  

 

all images © andrew r. slaton | photographer 2008

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